A Tea Addict's Journal

Entries tagged as ‘teaware’

Heartbroken

March 5, 2010 · 8 Comments

It’s been many days since I blogged.  This is probably the longest break I’ve taken with blogging since I started this thing.

I’ve been rather distressed recently with a broken teapot.  Postal services are often your worst enemies, and in this case they’ve proven to be quite capable of destroying my teaware.  Of course, much of the blame lies with the person who sent this to me, and unfortunately, there is not much I can do now to fix this problem.  I used glue, but you can still see it.

Then again, in some ways, it’s not that bad.  I’m not a dealer.  This isn’t going to be sold again.  Resale value, therefore, has little meaning.  Of course, that doesn’t mean I’m not upset about it.

Sigh

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(Mis)appropriating wares

December 23, 2009 · 5 Comments

Using wares for new purposes happens all the time, and I am quite guilty of doing that fairly often.  Most of the time, it involves using some teaware for slightly different purposes than they were originally intended.  Other times, I am using things entirely out of context to suit my needs.  Some are mere modifications, others are complete changeovers.

For example, when there’s a lid-less yixing being used for a fairness cup, I’d say that’s at least somewhat misappropriating the pot. Lots of people do that, for reasons that may be quite varied, from a yixing that has a missing lid in need of some use, to wanting to season a pot for no particular reason.

In my case, the most often misappropriated ware is my pewter bowl, originally intended for fruits and other goodies, and now I use for holding my pot.

Over time, I noticed that it’s doing some damage to the mother-of-pearl decoration to the bowl, so I’ve stopped, and instead am using a dish for that purpose.

The wooden tray you see in the picture here is for the Japanese sencha ceremony, which basically means it holds the cups with saucers.  For me, the tray is where the action takes place, and does the job of framing the area over which I make tea.  I used to use a water-holding tray with slots, the kind you find from all sorts of teashops in China and Taiwan and Hong Kong, but I no longer like those.  In fact, I no longer own one of those as I’ve gifted or discarded them all (except a traveling one, but that’s kept only for mobility purposes).

Many cups I use these days are also not intended for tea to begin with.  The smaller cups are generally sake cups, such as these:

The gaiwan is a gaiwan, but the cup is a sake cup.  Many are nicely decorated, with a good size for gongfu tea purposes.  Some might not like the straight edges, but I don’t mind them.  They work.

And then you get into territory that’s a little more muddy.  Take, for example, the gaiwan.

This is not a gaiwan meant for brewing.  This is a sipping gaiwan, where your tea is supposed to sit and you sip from it, gently pushing the leaves aside with your lid and holding it by the saucer.  Instead, I used it to make some green, with a much higher leaf to volume ratio.  These days, we’re so used to using gaiwan for that latter purpose that the original is almost completely lost, except in period dramas.  That cup, though, is a teacup of sorts, although it can just as well be used for wine (Chinese, that is — this is not a sake cup).

But then, what is a teapot, a gaiwan, or a teacup anyway?  It’s just whatever you make tea in.  It doesn’t really matter if it’s a brown betty or a silver Korean teapot.  It only matters what you do with it, and sometimes, items find a second life, much like buildings (or in some cases, people) do.

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Sprayed glaze pot

November 23, 2009 · 3 Comments

I have lots of these oddities, here’s one that I unpacked recently from my boxes.

This is a pretty standard julunzhu pot, with a straight and short spout and somewhat rounded shape.  These were popular export items for Japan.  If you look closely, especially on the other side….

It looks a bit pock-marked.  These are glaze spots.  Now, people will tell you that older pots were fired along with glazed ware, and in the kiln, because they were uncovered, they would get sprayed by glaze coming off these other glazed wares.  I’m not sure if that’s actually true, but supposedly, this is a sign of old age.  As with all such signs, however, such as the whole “single hole” thing or “joint line” thing:

You can perhaps rule out pots that are “newer” because they don’t have any of those signs of older methods of construction, but just because a pot has them, it doesn’t really mean anything.  I often see some who say “oh, this pot is xxx and has xxx, therefore it must be old”.  No, it does not, because a new fake can easily reproduce the same.  This one looks old, feels old, and may very well be old.  I am never quite sure, however.  It’s much easier ruling out the new.

It is a curious little thing though, down to the chop mark at the bottom.

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More teaware

November 12, 2009 · 8 Comments

More teaware

This is a chaozhou teapot, uncharacteristically large for something of this type.  It’s a typical 300-400ml size.  I’ve never seen one that big before.  It’s supposedly from turn of the century — bought from someone who claimed it was a grandma’s leftover.  It looks the part though, as it has an older feel and look.  Only lightly used.  The chawan is there for size comparison.

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Tenmoku chawan

November 4, 2009 · 6 Comments

Haven’t posted any teaware porn for a while, so here goes

I love this bowl.  The only flaw is that the brown colour on the exterior is probably a tad bit too much.  These bowls are great for matcha, because their dark colour provides a sharp relief for the lightness of the tea.  The Japanese then adopted it wholesale and kept using them, while Chinese moved on from these to lighter coloured bowls because taste in tea changed over time.  They won’t be any good making tea that is brewed, because the colours won’t show properly, but when whisked, that’s a totally different story.

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Charcoal boiling

September 22, 2009 · 7 Comments

I tried out my brazier today, outdoors, with charcoal.  The result, I must say, is mixed.  It took a long time for the water to boil.  I think at first I didn’t add enough charcoal.  Then, it was the relatively cool temperature keeping things slow.  Then, there’s the issue of making sure the heat is funneling up to the kettle and not dispersing on to the sides, since I have a large-ish brazier.  Originally, I wanted to use it to boil water for a class on Thursday, but perhaps, I would have to resort to using an electric kettle to boil the water and then just use the charcoal to keep the water warm…..

Sigh, compromises.  I think the cold air really makes a huge difference to how long it takes to boil.  I remember even using my heating plate outside, it takes a lot longer to boil a kettle than inside.  These are the little things that reminds you how making tea in the old days took considerably more effort than it does today.

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Small bowl, big bowl

September 16, 2009 · 1 Comment

Well, one of the students volunteered to try making whisked Song dynasty tea in class today.  The student has, as far as I know, no prior experience with making whisked tea, and we tried to follow the orders of Cai Xiang and Song Huizong to see if we can get something going.

The problem is, these manuals, if they are treated as such, as really bad manuals.  They are for people who already know quite a bit, and are really not useful for those who don’t know anything to start.  For example, they never mention how much tea to how much water.  How much is appropriate?  It’s not obvious.  Of course, we know, because we’ve done it by experience, but if you are starting out cold, it’s tough.

The whisking also gets difficult, and in Song Huizong’s case, very cumbersome.  Adding water in seven steps means that each individual step of water is really quite small.  It’s not an easy feat to control such pouring, because for the most part, we are not practiced in such things.

We did try our best though, but the student reported that the tea didn’t taste like much — slightly grassy hot water, I think.  The issue, of course, is that there wasn’t enough tea for the water used.  It still begs the question of how much water is really used, and consequently, how much tea.  Enough, of course, to make it frothy, but not too much so it’s too thick.  It’s a fine balance.

Next week we’ll try making tea with a brazier outdoors, and I hope everybody can make a bowl for themselves.  That should be interesting.

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New acquisition

August 13, 2009 · 7 Comments

I’m still not fully unpacked.  I don’t know where to put my tea.  The basement is obviously not a good place, and the attic has a funny smell — probably smelling like the insulation.  So, I don’t have a lot of places to put them, and the only cupboard suitable for teaware was previously occupied, as far as my nose can tell anyway, by candles of the scented variety.  Not good.

So I’ve been living on kyusu brewed aged oolong the past week, surviving but eager to get back to my normal routine of drinking properly made tea.

In the meantime though, I’ve managed to acquire a new piece that I’m pretty excited about.

This is a Qing period pewter wrapped yixing pot.  It’s really not terribly good for making tea, but it’s an interesting piece of work and I’ve been wanting to get one for a long time.  I happened to run into one in an antique shop around here for the right price, and now I own one of these.  If I want to use it to make tea I’d have to clean it pretty thoroughly — the interior is quite dirty.  But maybe that will never be necessary.

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Unpacking

August 5, 2009 · 1 Comment

If moving is hell, then unpacking all this tea and teaware must be the 9th level of hell.

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Moving

July 29, 2009 · Leave a Comment

Moving with all this teaware is hell.

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