A Tea Addict's Journal

Entries from April 2011

Three oolongs in comparison

April 28, 2011 · 17 Comments

I felt inspired to do a comparative tasting today, something which I haven’t done for quite some time.  This past March when I went back to Hong Kong I renewed my interest in tieguanyin, which for the past few years have been in the doghouse, so to speak, because most of the stuff you can buy in the US or in mainland China are so unspeakably bad.  They are, generally speaking, of the “nuclear green” variety where they are almost greener than green teas.  While some people like the fragrance of those teas, I personally find them awful.  Give me any traditional style tieguanyin anyday.

Having gone to a few stores that sold such things in Hong Kong this past break, including a great experience with a relatively cheap tieguanyin at the incredible Tim’s Kitchen (yes, restaurant tea can be good!) I was quite inspired.  So, I bought a bunch of things, and started trying some that I have leftover at home in comparison.  Today’s is one such tasting.

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The identity of the teas are not terribly important.  The one on the left is a highly roasted, slightly aged (my own storage) oolong that I bought a few years ago.  It’s electric roasted.  The one in the middle is a recent purchase on this past trip, with the vendor roasting using charcoal roast and blending the end product.  The one on the right is what I think of as a typical green tieguanyin these days, still not as green as can be, but pretty green nonetheless.  I tend not to drink such things these days.

Closeups of each of the three:

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You can see the blending in the middle tea – various colours are present in the dry leaves.  I brewed them in competition cups for five minutes each, and this is the result

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Competition style really brings out all kinds of stuff you don’t necessarily notice if you were brewing them normally.  The middle tea ended up being the darkest, and the nose has a distinct charcoal smell that the other two don’t have.  The right one is obviously the most immediately fragrant, with a strong vanilla note.  The left one is in some ways the most subdued, but has a nice roasted fragrance.

In the mouth though is where they really differ.  I think with competition style, especially if you drink one right after the other, it is sometimes difficult to tell which one is giving you the strong, everlasting aftertaste, because you are drinking them in such quick succession.  However, it is possible to distinguish notes and especially body and mouthfeel very easily with this method.  Drinking it this way, it is obvious that the middle cup is in some ways the fullest — it has the most full bodied brew among the three.  It also has flaws, specifically it has a harsh and sour note, the harshness from the charcoal roast, the sourness from probably some improper storage.  The tea on the left is the most pleasant to drink for me, probably because it’s been aged slightly.  It has the beginning of an aged taste to it, and will develop it further if I were to leave it alone.  However, it is also in some ways the most boring, because the tea is more or less one-note, and is a bit hollow in the mouth.  The one on the right is clearly a different beast, and caters to an entirely different market.

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The wet leaves also yield some stories.  You can see the mixed nature of the tea for the middle one, as there are leaves of varying shades and stiffness, whereas the other two are more uniform in their appearance.  The leaves on the left are a bit thin in comparison to the other two, perhaps accounting for some of the thinness that I’m noticing in the cup.

It is difficult to find teas like the two left ones in the US, at least, and in China, even.  In a big tea market in a major city, you may find one or two outfits that have some stuff that might be somewhat roasted, but by and large, if you walk into a tieguanyin store you’re going to find various shades of nuclear green.  The reason for this is simple.  It’s both easier and cheaper to make really green tieguanyin — less work, less processing, and they sell for more in China, where the taste is predominantly for lighter tieguanyins.  The same, I think, can be said of the US, and it is usually only serious teaheads who drink the roasted ones, which make them a difficult thing to sell.  In places in Southern China like Guangdong province, the tradition of drinking roasted tea is a bit deeper, so you will find more of these types of tea there, but even then you have to look for them, because otherwise it is very easy to end up with inferior roasted teas.

I like the tea in the middle when I drink it normally — the sourness is quite manageable, as evidenced by my session with friends this past weekend.  This is the other thing about competition brewing — you want to start with a tea that is both strong and has a good body/mouthfeel.  Particular flavours that may be unpleasant are entirely manageable through brewing techniques, but it’s easier for skills to manage bad traits than to concoct a drink out of a bland and boring tea.  Likewise, it makes me wonder about the usefulness of drinking single estate teas for any genre — blending requires skills and is an art, and I’m not sure if there are really that many people now who can do it right.  I turned down the offer to buy some unblended tieguanyin from the same shop, I should go back next time to do that for comparison.

Categories: Teas
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What is sour?

April 23, 2011 · 33 Comments

Or, for that matter, sweet, bitter, astringent, citrus, or woody?

I had some teas with two tea friends today, and one of the first issues we dealt with was the question of sourness.  Apparently, even though I thought I was pretty clear, they were wondering what I mean when I say “sour” on my blog when using it to describe a tea – something I thought of as pretty obvious and self-explanatory is, apparently, anything but.  This, I think, speaks to the difficulty of writing about tastes.  Even something that I thought was universal, sourness, is not necessarily obvious or the same for everyone.  You can probably say the same thing about other tastes and sensations: bitterness, for one, is received very differently by different people, as anyone who’s had tea with friends would know.

So, as one of my friends suggested today, I’m going to ask you this — what is sourness to you, specifically in tea?  Do you know what I mean when I say a tea is “sour”?  If you do, can you describe it, and if you don’t, what do you think I might mean?

Categories: Information
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My cat’s choice

April 18, 2011 · 6 Comments

For those of you who haven’t figured it out yet, I have two cats who have been with me for almost ten years now.  Normally, they don’t care much for tea.  In fact, they ignore me when I brew tea.  Sometimes the male cat, Sunny, will come by and sniff, but no more.  He is, by and large, not interested in such things.  Smokey, the female one, generally avoids me when I make tea.  Napping is much more interesting.

Recently though, Smokey has shown extreme interest in one particular cake of tea I have sitting around.  This never happens, but the other day, she was positively pawing it and sniffing it, something which has never, ever happened before with any other tea.  I figured I need to give this tea a try again, since she’s generally quite selective in her food choices.

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The tea in question is one I sent recently to BBB for some tasting.  It’s a Bulang I picked up over Taobao for a not-very-cheap price.  The tea was shown without any identifier on Taobao — just a generic Bulang claim, pictures of the leaves, and that’s it.  Turns out it actually has a real wrapper

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The tea is pretty good looking, but nothing too special.  With dry leaves, especially in pressed form, there is only so much you can tell from the looks.  At the end of the day, it’s all about the liquor.

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My tea looks way darker than BBB’s for two reasons — lighting, and because I use a much deeper cup.  I think this tea is one of very few in recent years that I’ve tried that fit my criteria for a good, young puerh — one that excites the tongue, turns sweet very quickly, has qi, and does not give me hints of odd processing or green tea processing.  The last point is particularly important, as many teas these days are made in such a way as to yield immediate, bean like pleasure, but will, over time, turn to a bitter mess.  Nine out of ten samples of new teas have some version of that.  This is one of the other 10%.

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I might actually pick some more of this up, eventually, but it’s just expensive enough for me to think twice about it.

Categories: Teas
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Buying things on eBay

April 12, 2011 · 9 Comments

eBay, the great American fleamarket, is both a source of frustration as well as a source of treasure.  I recently found this

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Which I basically bought for a song.  These things routinely sell for $100 or more in antique shops, and I got it for $35, which I think is quite a deal, especially considering it is quite pristine in condition.  However, most of the time, it’s hard to find things like this.  Over the years I’ve gotten a few good things from eBay, in terms of teaware — a few cups, an old gaiwan, a tetsubin, and other oddities.  That, however, is only possible after many hours of trolling on the site, looking for bargains.  I think in general, when looking for antique teaware on eBay, there are three categories of goods. (I am not talking about new things, like a cheap new gaiwan, or things like teas, which are a different matter)

1) The obviously nice stuff. These are things that are obviously good, old, and nice.  They are also watched by many, and are rarely cheap.  Older Yixing pots, for example, fall into this category.  There is a big group of very (and sometimes less) knowledgeable collectors on eBay who will buy any and all antique Yixing pots.  Those pewter wrapped ones, for example, routinely end at over $1,000, and the same can be said for anything that looks like they are the real deal from the Qing or the Republic.  There are no bargains to be had here.

2) The fake. This is the vast majority of stuff on eBay when it comes to older teaware.  They are fake, and most of the time, obviously so.  Stores like 5000friends, for example, have an endless supply of “Qing” and “Republic” pots that I’m sure are fake, and 5000friends is definitely one of the better fake vendors, when compared with the other, worse fake vendors.  Basically, for Yixing for example, if the stuff is coming directly from China, you can assume it’s fake, because there is no good reason why the person will put it on eBay if it is real — it is far easier and better to sell within China if you have a genuinely old Yixing pot than if you sell it on eBay.  It just doesn’t make any sense.

3) The hidden treasures.  This is where the bargains are, but it comes at a price.  They are only bargains because they are usually poorly described and has few or no pictures.  This pot above, for example, only had one picture on the site.  In other words, I was gambling that the pot is indeed in pristine condition and that the other side looks ok, which it turned out to be, but there was no guarantee (and I think why it had no bids).  This is getting increasingly rare, but sometimes you see a fuzzy picture and that’s all you’ve got to rely on, or if the title is mistyped, or if the person doesn’t know what they’re selling — for example, describing a Yixing pot as a children’s toy because it’s so small.  Even then, there will be other treasure hunters out there doing the same thing you are, which is scouring through these listings looking for good stuff, but once in a while, you can find cheap things and you’ll get lucky, just like any real life flea market.

Categories: Objects
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Mingcong aged oolong

April 9, 2011 · 8 Comments

A very generous friend, S, from Malaysia sent me a bunch of teas recently, and among the samples (and a full cake too) is this, a little gem from the past.  I’m not entirely sure how old this is, but from the packaging it looks to be at least 20 years or more.  It’s a small packet of Wuyi tea.

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The name on the front is Mingcong (famous bush) while on the back it just says, very helpfully, China oolong tea.  The bag is very stained from the years of rest it’s taken.  When I opened it up, I can clearly smell the aged-ness of the tea — slightly sour, with that distinctive aged oolong fragrance that can’t be faked.

The dry leaves are quite broken.  The tea was well roasted when it came out.

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From the taste of the tea, it seems like it’s some sort of shuixian.  The initial two infusions are slightly sour, but not enough to make it unpleasant.  The sourness, as it should, goes away, and a nice, deep aged Wuyi taste lingers.  This is pretty decent tea.  Just judging by the looks, it looks like some dark cooked puerh.

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Stuff like this are always a treat, as they are mellow and easy to drink.  I’m a big fan of good aged oolong for a reason; they are tasty and don’t cost nearly as much as aged puerh does these days.  They also last quite a while, if the tea is good.  I wonder how much this tea was.

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The leaves are dark, but still flexible.  Good tea — thanks S!

Categories: Teas
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How not to brew your tea

April 7, 2011 · 17 Comments

Those of you who frequent teachat have probably seen me post this up already, but in case you haven’t…

The guy, shall we say, takes his time.  The thing that really bothers me about this kind of brewing, and more specifically, this kind of video, is that they give people entirely the wrong impression of how tea is done in China.  Other than set performances at tea fairs, where they might hold tea brewing competition and the participants are expected to come up with elaborate (usually over-elaborate) ways of brewing tea that look artistic, you’ll never see people make tea like this guy does.

More importantly, the way he dresses and sits implies a certain sense of historical tradition, which of course is also entirely bogus.  This is what my friend DougH calls “ceremony envy”, stemming largely from the sense that “well, the Japanese have their elaborate and famous tea ceremony, so we should have one too”.  The need to invent a “ceremony” is, I think, the root cause of this kind of video.  Chinese, however, never brewed tea this way — certainly not like this.  For one, tea brewing was mostly done by servants.  Ever seen those paintings of literati men sitting in their courtyard drinking tea?  In the background there are always a few servant girls or young boys fanning the flame, preparing the tea.  You think they did any of this ceremonial stuff?

This is the other thing about calling this, or any type of gongfu brewing, a “ceremony”.  Ceremony implies a certain amount of performance, and at least in the modern usage of the word, a sense that you do them because you should, not because they’re useful.  This guy’s performance definitely fits the bill — he had a lot of useless movements that really didn’t enhance the tea he was brewing.  In fact, I’d hate to be on the receiving end of this tea — it’s probably nasty.

This is the other thing different about the Japanese tea ceremony versus the Chinese way of brewing tea.  The Japanese ceremony is methodical, slow, and elaborate, but making a good bowl of matcha is a primary goal as well.  The things you do in there — adding the cold water, warming the bowl, etc, all serve a purpose.  The way this guy brewed his tea is rather unique – he’s actually boiling the tea.  In most other videos, however, they brew it normally, except in the time it took them to do all their fancy things, the water, or the tea, has cooled.  I cannot imagine any of these people brewing anything resembling good tea.  I’m pretty sure this guy’s boiling his tea because he read it in some old tea text, except that it’s all out of context.

Chinese tea brewing has always been very practical, and has evolved over time to suit the needs of the way Chinese drink tea – which is to say, whole leaf tea, brewed in hot water.  Chaozhou style brewing, from which modern gongfu tea has evolved, works, because it is not concerned with looking good, but rather tasting good.  For those who want a spiritual experience, it doesn’t have to come in the form of elaborate rituals, dictated by some odd, nonsensical rules.  I think spiritual enlightenment can be found as well in the casual brewing on a day to day basis, but done in a way that concentrates the mind.  Refinement of one’s skill through practice does not require a dictated set of rules that one needs to follow.

And don’t even get me started on the narrator in this video.  She (or whoever wrote that script) needs to be shot.

Categories: Information · Videos
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Antique roadshow

April 5, 2011 · 5 Comments

Living in the part of the US that I do, hitting antique shops sometimes yield some decent loot.

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This isn’t anything too special, just some Republican period export ware.  Nevertheless, it’s not a bad find, since it’s not expensive and is still in pretty good condition.  There was a better one last year that I passed up, and which I forever regret, but alas, can’t buy them all.

These pots are usually big.  They’re very impractical for making tea the usual way, so I tend to use them for half-grandpa brewing — leaves in a pot with renewed water whenever I feel like it.  This is usually done to squeeze the last bits out of somewhat spent leaves, and it works pretty well.

Edit: I should also note that pots like these seem to err on the low-fired side of things.  You almost never see the really high fired, close to glossy finish that is so common on new pots.  I wonder if that’s deliberate, or accidental because they couldn’t get the heat up as high as modern electric kilns can.

Categories: Objects
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Traditionally stored 2006 Haiwan Lao Tongzhi

April 1, 2011 · 13 Comments

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I don’t really drink stuff like this very often, but since this tea is among those that I think some of us have had, back when it was fresh off the press, I bought one for fun this time in Hong Kong to try it out.  The reason I got it is not because this tea is amazing, rare, or anything — far from it.  Rather, it’s because it’s been traditionally stored.  People often wonder what this process does, exactly, to a tea.  Here’s a good example of it.

I still remember seeing this tea in Beijing when I was living there, and it sold for about $3 USD.  This time, I paid close to $25 to buy it, so it felt pricey.  Then again, buying tea in Hong Kong is never going to be that cheap, but if you go troll the tea markets in China, I’m sure you can still find dry stored versions of this cake selling for probably $10.

Haiwan tea factory was founded and headed by Zou Bingliang, who used to be the head of the Menghai factory, and is credited with having co-invented the process to make cooked puerh.  Like a lot of others who were in leadership position at Menghai, Zou struck out on his own in the late 90s and early 2000s, and I think among the slew of factories that started around that time by Menghai alum (Guoyan, 6FTM, Haiwan, etc) his outfit is probably one of the better and more successful one.  Lao Tongzhi is pretty much the base cake for the factory — the lowest tier mass market tea.  I remember trying the very young version of this tea, and it tasted like any big factory, newly pressed cake — bitter, rough, but powerful in the hard hitting sort of way.  The tea was not something you’d particularly enjoy drinking, but hope it will get better with time.  An interesting thing to note about this tea is that it says “nongxiang xing” on the left — intense flavour type, literally.  I have, however, never seen any other types of LTZ cakes, so I think this is all just silly marketing speak.

Since this cake is traditionally stored though, it’s not your run of the mill 2006 vintage young puerh.  Right away, the smell is obvious when you open the wrapper.  The cake also looks visibly darker.

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There’s a reason puerh is a heicha (black tea).

There’s some white frosting on the cake, although nothing too serious.  It’s not white all over, and once I crack it open, the interior is quite ok.  Traditional storage can be overdone — as you sometimes see cakes that literally are covered in white hair.  This is medium.

The tea looks dark too, when you brew it.

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I believer it’s very important to educate yourself with stuff like this to get a sense of how a 5 years old, traditionally stored tea tastes like.  If you don’t know what it’s like, then it is very easy for someone to come by and tell you that the tea is actually 15 years old, and you would not be able to tell the difference.  In the cup, the tea is still a little sharp – the storage taste is quite present, and needs time to fade.  The underlying bitterness still exists, although having aired it out for a week now since I got back, the tea is already somewhat sweeter.  There’s decent body, nice aromatics that range from what Toki would call granny powder to dried leaves.  Good, solid traditionally stored pu that needs some time to age.  If I were to buy more of this, I’d just leave it around for a few years, and I think the tea will then progress to something quite nice.  It is also necessary — after all, part of the process of storing a tea traditionally is to tuicang (退倉) process, to both reduce the immediate smell of the storage as well as further aging the cake.  Stuff that just came out of the basement is not meant for consumption.

The wet leaves are various shades of green and brown, a typical look for this sort of storage condition.  Note how none of the leaves are black or stiff — they should retain flexibility, if they are well stored.

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All in all — a pretty enjoyable drink, I think.  More importantly, this tea has gone from pretty undrinkable to pretty drinkable within a span of five years.  I’m pretty sure that if you pick up a 2006 LTZ from Kunming, it’s still going to be fairly nasty.

Categories: Teas
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