A Tea Addict's Journal

Entries categorized as ‘Teas’

Tea in Korea

July 19, 2012 · 14 Comments

Generally speaking, I don’t drink much green teas because I find them to be relatively one dimensional. Although it was the type of tea that got me started drinking seriously, I now consume less than 100g of green tea every year. That’s one big reason why I rarely drink Korean teas – they are, by and large, green teas. While the ones I’ve had are generally pretty decent, I just don’t have the room or the inclination to drink them with any regularity, so much so that a can of tea I bought two years ago from a Korean farmer still sits in my tea cupboard, unopened. It’s a shame, really, but I have too much tea to drink, so my experience with Korean teas is limited.

Since I was going to Korea though, there was no reason not to drink some local tea. My previous experiences in Korea is that, for the most part, there’s no tea in the country. Even at restaurants, the most you’re ever going to see are some bad teabags. This time I was pleasantly surprised that the quality of teabags in the country has improved – they are no longer the scum of the earth type of tea that I experienced ten years ago. It also helped that I brought my own tea, so I wasn’t very desperate for caffeine. It is rather telling though that at a place like Coffee Bean & Tea Leaf, they only had three types of non-flavoured, non-tisane teas, versus maybe a dozen or more that you’d expect when you’re in California. The local taste is really for coffee, and flavoured teas.

Since this was a family oriented trip, I didn’t have much time to spend trolling teashops. I did find enough time to go visit Insadong, which is a touristy area that sells a lot of cultural goods – paper, ceramics, arts and craft things, and among them, some teashops. The last time I was in this area was over 10 years ago, but not much has changed – I still recognize a lot of the shops that I went by last time, which, in and of itself, is pretty incredible. Some, such as one that sold puerh back in the day, is still selling puerh now. The prices, however, are extravagant.

In fact, tea in general seems pretty expensive in Korea, for reasons I don’t understand. Perhaps it is the tariffs that kills it (if I’m reading correct, tariff for green tea is 500%). Either way, we’re talking about some pretty expensive teas here, with a relatively limited selection of greens that are differentiated primarily, for the untrained eyes anyway, by the youthfulness of the buds. I didn’t hold out much hope for anything too fascinating.

While walking around Insadong, however, MadameN and I ran into a rather large shop that I don’t remember from my last visit. The store is called O’sulloc, which, upon googling it after returning, seems like a big tea producer in Korea. Mattcha, who has been writing about Korean teas for years now, says they used to sell to the Western market, but no more. We went to the third story of the teahouse, avoiding the large crowds at the second floor who were voraciously devouring shaved ice. It was rather quiet up there, and dark, with prices to match the surroundings. Looking at the menu in the dimly lit environment, I tried to pick out what looked the most interesting – we had two teas in the end, the Unhyang and the Samdayŏn.

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After a “cleaning” cup of green tea, we each got served our own tray of tea.

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Lighting is bad in there, so bear with the bad pictures. This is a picture of the Samdayŏn, although I couldn’t quite tell the true colour of the tea itself, because the interior of both the pot and the cup are reddish in nature, which obscures the colour. The taste of the tea though is very interesting – it is a taste that I don’t think I’ve ever had before. The “post-fermentation”, whatever it is, did something to the tea, and there is also a scent that is probably from the cedar that they stored the tea in. The leaves used for this tea is some kind of sejak base – very small, fine buds. The colour of the leaves is a reddish one – looks a little like a good Oriental Beauty. This is an odd one.

In comparison, the Unhyang is less exciting, tasting more or less like a highly oxidized roasted oolong. The problem common to both teas, really, was the relatively low amounts of tea they used in the pot. I think we each got maybe 3g of tea in the pot, which really was nothing, and was not sufficient to get a good sense of the tea itself. The water used was also lower in temperature to start off with. I think both of these teas, because of their processing, can stand higher temperature and probably would be much more interesting brewed stronger, but alas, that wasn’t the case. At the prices they want for a mere 30g of tea, I find it hard to fork out that much for something that was only decent. A nice curiosity tea, perhaps, but not one I’d go for with any regularity.

There were some other shops that looked promising, at least, but we neither had the time, nor the energy to go through them. I didn’t really get a chance to shop again either, so this trip’s tea activities were relatively limited This is inherently the problem of trying to tea shop in a place you’re not too familiar. The shops that you end up at tend to be in the more touristy areas. You have very little time, and very little information on which shop is good and which one isn’t. You have a limited amount of energy and stomach to try a lot of teas. You are, sometimes, constrained by language barriers. If I had a few months in Seoul, I’m sure I could do better and find more local shops that might have interesting things for less money, but I don’t. At least I’ve spent a fair amount of time shopping for tea in other places, but even then I had trouble getting good tea within half a day.

Now imagine if you ask a friend of yours, going to China for the very first time, to buy you some nice tea while you’re there, preferably some yancha or puerh…. you can imagine what will happen then. Which is why I always tell people don’t ask your friend to buy tea for you unless they know the area really well and they also know tea really well. Otherwise, you’re quite likely to end up with duds that disappoint.

Categories: Teas
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Tea learning

July 4, 2012 · 20 Comments

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One of the things I often advocate for newcomers to tea drinking is to sample widely. Learning about tea is, on some level, not very difficult at all. It requires experience and an active mind to reflect upon and learn from the experiences gained. To gather this experience though, the only way to really do it is to drink a lot of tea. Reading about it or hearing about it really doesn’t do much good, for it is only theory that lacks backing from practical experiences.

The practical problem with active sampling are twofold. The first is simple – samples are not very cheap, usually, and so it can actually be quite expensive when you buy a lot of them from different vendors. At a site like Yunnan Sourcing, you can easily drop a hundred dollars or more on a dozen samples, and that’s before you have to factor in shipping cost. If you’re not getting your samples for free, this can be quite a major expense on its own.

Then there is the more nuanced problem of what to do with the samples. It’s quite easy to say that sampling widely will give you experience in tea drinking. In practice, however, that’s not so simple. Of course, trying all kinds of teas will most certainly give you experience. However, it is experience on a relatively shallow level. Certain kinds of teas, such as really bad or really good teas, will probably manifest themselves quite readily. Others, however, are not so obvious. It is actually easier to try teas if you, say, cup them, but then it becomes work and the process is not very enjoyable. This is, ultimately, a hobby, and not a job (for me anyway) so taking the fun away like that is basically missing the point.

What instead happens is that some teas require multiple tastings to reveal themselves one way or another. Sometimes the first time you brew a tea it doesn’t come out quite right not because it’s bad, but because you are still adjusting to it. It helps when you’re using the same teawares all the time, so that the only variable is the tea. In some ways, by doing so you’re basically cupping the tea without cupping it – you’re testing whether or not the tea is good for your style of brewing. Even then, however, a good tea drinker should be adjusting to the tea and trying to brew it as best s/he can, which means that the first try can come out horribly wrong. Cupping also has its own limitations, as it can tell you whether or not a tea is good, but the skill in bringing out the goodness still requires your active intervention – unless you’re planning on drinking the tea grandpa style, the input of the brewer is an integral part of what makes a cup of tea. This is why I almost never write reviews anymore based on one impression (when I do write them anyway, which is getting rare too), as there are too many variables and is just not very reliable. Forming an opinion based on a few cups of tea is only reliable if it’s really obviously bad or good.

Now, having had a lot of experience in tea does speed up the process of identifying issues and problems in an unknown tea. Right away, for example, it is possible to tell what kind of condition a puerh has been stored in, or whether an aged oolong has been reroasted, so on and so forth. It also helps compartmentalizing teas faster – you can basically draw on an ever expanding library of tastes and sensations and know what tea this is most similar to, and therefore what you can expect from it. Teas are never the same, however, and different people brewing the tea also yield different results. So, there’s only so far you can go with the “scientific” approach. Trying to analyze teas based solely on aroma, appearance, etc, is only possible if you’re dealing with industrial level generalities. Samples, therefore, are first impressions.

There is also knowledge that you can gain from drinking the same tea over and over again that you cannot from sampling. This may involve the tea changing on you – a traditionally stored puerh gradually losing its storage taste, for example. Or, it can just be that you start noticing nuances that were there, but were not necessarily obvious the first few times you try it. Or perhaps you experiment with different parameters, water, ware, etc. and notice that it performs differently under different circumstances. This type of knowledge is not possible if you only have 25g of a tea. It can really only come with drinking 200, 300, or even 1000g of the same tea. After a while, you get a sense of what to expect, and when the results don’t meet expectations, then it becomes a learning moment. You just can’t do that without a lot of the same tea. When I say “same tea” I also don’t just mean the same kind of tea, such as a tieguanyin, but rather the exact same tea – from the same place, harvested around the same date, etc. Each batch of tea from a farmer is going to be slightly different, no matter the circumstances, once again complicating the issue.

The important thing of all this tea drinking and learning is not so much the drinking itself, but the critical reflection and evaluation that takes place simultaneously. Forget about what others tell you – what do you feel and think when you’re drinking this tea? How does it compare with what you have tried? How does it challenge what you already think you know? No teacher can tell you any of this – they can point you in the right direction, but they can also lead you astray. My experience with tea teachers that I have encountered is that by and large they’re interested in selling you tea, and as such they will tell you what will suit their current inventory of tea the best. Tea learning is, at the end of the day, a solitary experience. No one knows what you’re tasting, so no one but you can teach yourself.

It is hard sorting through all this knowledge gained from tea drinking, and even harder to retain all of it. I found my early blogging efforts, basically writing down my impressions of the tea I drank every day, to be a worthwhile exercise – it helps me process what I’ve had and what I thought, and once in a while I go back to my own ideas back then and realize how I have developed as a drinker, as well as how a tea may have changed over time. Many of my earlier perceptions are flawed, if not outright wrong, or at least have been modified over time by my experiences since then. Writing about it constantly here helps me work through those thoughts. Of course, this can also turn into work, and when blogging, just like drinking, turns into work, it’s no longer fun and you should stop. However, as Confucius said, learning without thinking is useless, and thinking without learning is dangerous. If you want to improve as a tea drinker, there’s always work involved.

Categories: Teas
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Taiwan in Yunnan

June 27, 2012 · 10 Comments

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Someone recently gave me this box, containing 5 packs of 10g each of a tea that I’ve never heard of before. The tea is called Jibian Wulongcha, which literally means “Extreme border oolong tea”. Jibian, in this case, is a brand name, and if you look at the back of the box, you’ll find that they say the tea is made from qingxin wulong, also sometimes known as ruanzhi wulong (and misspelled as luanze, from what I can tell), but the location of production is Yunnan province of China. These are, in other words, Taiwanese tea trees transplanted in Yunnan. In fact, the little red thing next to the logo tells you it’s from Tengchong gaoshan, not too far from Gaoligongshan and other high mountains of the Southwest. Someone, probably a Taiwanese investor, has obviously got the idea of making Taiwanese oolongs in Yunnan province.

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The pictures’ colours are a little off – it’s difficult to get the white balance just right. However, I can tell you that it is almost impossible to distinguish this tea from any run of the mill regular Taiwanese gaoshan oolong. Certainly the leaves are slightly less rolled than the typical Taiwanese oolong these days, but right from the get go, when you open the little pack, you can smell that distinct Taiwanese oolong scent. The tea itself also tastes slightly off – something is a little different, with a bit of a spicy finish, something you don’t normally find in a Taiwanese tea. However, if I wasn’t warned that this tea is not from Taiwan, there’s basically no way I would have guessed that this is tea from Yunnan. It’s not bad, it’s just different.

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There has been a lot of talk in recent years about how there are farms in Vietnam, for example, that were started by Taiwanese merchants selling these teas back to Taiwan as gaoshancha. They can be quite authentic tasting, at least initially, and only reveal their true colours upon closer inspection. There’s also Zealong, which is the same thing, basically, but in New Zealand, with a really clean finish and a fairly bright taste, although at a hefty price. What this tea here does is the same, except they’re making it to probably sell to the Mainland China market.

One of the things this tea shows though is that much of what you drink and taste, in terms of scent, mouthfeel, etc, are very easily manipulated and that people who know what they’re doing, with the right technology and skills, can easily replicate a tea that you think is unique to one region. While there are subtle differences that can be distinguished if you pay close attention, if this tea were sold without packaging, in loose form, in a store in Taiwan, I’d be hard pressed to say I can tell that it is not from Taiwan.

This is why it is almost futile to try to identify teas based mostly on scent and taste. So much of it can be fudged that there is actually very little that one can rely on with any type of precision. It is true that it is possible, for example, to try to use those factors to help identify whether or not a tea is from a certain area or not, but when something comes out of left field, such as Yunnan tea trying to imitate Taiwan tea, it is actually quite difficult to tell what it is, and all kinds of clues can lead you astray. When people use teas from other areas to imitate Yiwu, for example, they are also imitating the processing techniques prevalent in the Yiwu region that give the tea there its taste and scent. The same can be said of other locales, and in this day and age, there isn’t a lot that is secret in terms of tea processing techniques, unless it’s a new invention that hasn’t been widely disseminated yet.

Just because a tea is from the right area doesn’t mean it’s going to be better either. There are plenty of terrible Taiwanese oolongs out there, and many good ones too. This Tengchong area tea might still need some work, but Zealong, for example, can beat many Taiwanese oolongs out there, although not necessarily at that price. The point is, it is much more important to chase after good teas than it is to chase after good regions – the former is tangible, real, and get to the point. The latter is just a label. As we all know, never judge a book by its cover.

Categories: Teas
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Changing tastes

June 22, 2012 · 4 Comments

One of the most profound changes in the drinking of teas in Southern China in the past few decades has been the gradual shift from darker, heavier roasted oolongs to lighter, more floral and less roasted teas. The former can be anything from completely carbonized, black as charcoal teas to ones that are more orange than brown. The range of colours of roasted teas can be seen in this post of mine from a little while back, when I tried three different teas with varying levels of roasting and blending. These are not representative, but at least give you a sense of what can be out there.

Such roasted teas, however, are increasingly hard to find, at least ones that are done well. Farmers and vendors in mainland China tend not to carry any such teas, and when they do, they are either very expensive and sold as specialty items, or very bad, or both. Instead, most of the time you find oolongs that are completely unroasted, that are somewhere between lime green and nuclear green in colour, either dry or brewed, and which are extremely fragrant. Some are so “fresh” they need to be kept in fridges, which makes you wonder what people used to do before fridges were possible.

Now, all of this is partly because of newer technology, new ability to process teas, and the shifting of tastes that make these light, floral oolongs so popular. The advent of vacuum packing for teas means that even teas with high moisture content can be kept fresh for far longer than possible in the old days, so roasting becomes less necessary. The teas themselves also went through changes, with the leaves being rolled much more tightly than before due to the use of machines rather than hand, and stems now tend to be kept with the leaves (as you always see on gaoshan oolong) rather than clipped off the way they used to. All these changes are a result of technological innovations that took place since the 1970s, and allowed for the change in consumption pattern and preferences among the tea drinking public to take place.

Of course, the people drinking the tea also changed this as well – it is much more attractive, for example, to drink a tea that is extremely fragrant. A fresh tasting oolong, whether it is gaoshan oolong from Taiwan or a spring pick tieguanyin from Fujian, tend to be very up front and immediate these days. They assault your senses, especially the nose, and they are very approachable. The fragrance lures people in, and is very popular with those who don’t drink tea very seriously. They are also easier to create – you can basically skip all the steps of roasting and re-roasting, which also means less cost for the farmer. Less work for more money? Sounds like a great deal.

Consequently, the number of places that do proper roasted teas are slowly dwindling, and places that still use charcoal to roast are even less common. Some of that is due to cost and regulations – in Hong Kong, for example, it is pretty much impossible to charcoal roast anymore, because of both fire-code restrictions and also the cost of land and labour. In Taiwan such practices are still possible, whether in weird oven arrangements like I blogged about a few days ago, or oftentimes done in farmhouses up in the hills. However, in general, it’s hard, backbreaking work. In the summer the heat itself will kill you. The few places that still do roasting in Hong Kong tend to use electric roasting techniques, which carry a slightly different fragrance and can taste a little metallic. For the most part though, such skills are dying.

At the same time, recently there’s been a little bit of a revival in the taste of the consumers, with roasted teas seeing a little more press time and also interest than before. One of the things with the super-green type of oolong is that over the long run, they can be very harsh to drink. They are also, relatively speaking, rather boring – once you get past the first few infusions, the tea generally doesn’t hold much interest, and for those who are into tea, such single-dimensional taste can be quite boring. Roasted teas, on the other hand, can be much more soothing to drink and tend to have longer-lasting tastes. They are not quite an acquired taste like puerh, but are certainly less immediately alluring than floral oolongs. At the same time, they do tend to attract those who have spent some time with tea.

One of the shops that I frequent in Hong Kong had some interview done recently in a local food and drink magazine, and since then, he said that business has picked up considerably. In the article, they talked about how roasted teas is their traditional method of making the teas, and that before the roasting is done it is not really considered a “finished product”. I can personally see this pickup in business, as more people come by buying tea that obviously look like they are coming for the first time. Even expats, who used to only buy things like jasmine and light, floral oolongs, are now opting for the darker stuff. The issue is that aside from some places, many such roasted teas are quite inferior in quality. Some cater to a very specific taste that might turn people off to this genre entirely, such as the pitch-black, carbonized shuixians that are mainly sold to Southeast Asia. There is, however, a balance between the two ends, and I think perhaps slowly but surely, the pendulum might swing back just enough so that the roasted teas once again see some popularity among the drinkers. After all, if there’s a market demand for this stuff, then there will be those who make them. I recently tried a somewhat roasted baozhong that is out of this world, but the price of such teas are also quite astounding. I suppose if the market will bear it, there will be those who will be willing to put in the work and effort to make such teas. Let’s hope it doesn’t disappear entirely, because the technique of roasting teas properly for drinking goes very far back in tea consumption history. Its loss will be a great one for all tea aficionados.

Categories: Teas
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The retaste project 12: 2003 Fengqing zodiac minibings

June 19, 2012 · 1 Comment

Sometimes it’s fun to try things that you have written about before, and it’s even more fun when other people have tried the same thing. I was recently reminded by hster‘s post that I have two tongs of this 2003 Fengqing zodiac minibings sitting at home. The last time I tried this stuff was 2007. It’s time to give them another spin.

The storage of this tea was mostly in the United States, actually, and only came back with me to Hong Kong last year. Before that it’s been through Boston, Ohio, and Maine – all cold places, one worse than the next. Visually, the tea hasn’t changed all that much – it’s gotten maybe a little darker in tone when you inspect the dry leaves.

 

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I threw a small chunk in the pot and brewed it up. It did get darker, and it did lose some of the fresh/young notes that I may have found back in 2006. The tea isn’t great by any stretch of the imagination – it’s ok. A boring, bland okness that isn’t broken up by any surprises, up or down.

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I should note that cup depth, more than anything else, provides the greatest variable in liquor colour as you see on blogs. Unless and until we all use the same cups, liquor colour comparisons are pretty much meaningless.

I also poked around Taobao and found that this thing is sold by at least one vendor for a whooping $50 a cake (100g). I ought to go sell these, as I think I paid a total of $50 for the two tongs, totaling 2.4kg of tea. You’ll notice the age of the cake also got inflated to 1997. This just goes to show that if you try your luck on Taobao, you better know what you’re doing. In the meantime, back in the storage this thing goes, and I don’t think I’ll see it again for quite some time.

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Purchases

June 14, 2012 · 6 Comments

Taiwan Beer is so good, I had to buy a whole case and had it shipped express to Hong Kong

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Just kidding

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A pile of aged oolong

June 13, 2012 · 8 Comments

I just came back from another trip to Taiwan, this time having a few days between work and tea hunting. Taiwan really is the island of teashops, and the kicker is, quite a few of them are very decent places, with good tea and run by good people. As one of my commenters mentioned, they don’t try to rip you off the way they do in the mainland.

While MadameN and I were a little early to our dinner destination for a meeting with some colleagues from grad school, we decided to take a quick stroll around the restaurant and look at the amazing coffeeshops that are in the vicinity of the restaurant. While doing that, we ran into a tea store that looked as terrible as you can imagine – old, slightly broken and very dirty shelves, lined with bags of tea that have been stacked into pyramids, a common feature of many community teashops in Taipei. On the far end of the shop are bags and bags of teas, and some puerh cakes lining the wall. I decided to try my luck and walked in, asking if they have any aged tea. The woman who was in the store said she has to ask her dad, who really runs the operation, and ten minutes later, the dad walked into the store.

I expected nothing when I walked in, since most of these stores have nothing other than reroasted-to-death “aged” oolong for sale. However, in the subsequent twenty minutes, which was all the time I had, he brought out about five different aged oolongs for me to taste, each one decent, some better than others. It was clear that my twenty minutes were not enough. I decided to go back the next day.

So the next afternoon, after meeting up with Action Jackson, I went back to the store. We tried many teas.

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Aside from the rather obvious advantage of trying teas this way, which is that you can drink as much or as little as you want, while comparing them honestly without any interference with the brewing skills and parameters, it also allows you to literally throw away teas that are no good. What you’re seeing here is already after a few teas have been thrown out, with three young gaoshan oolongs, two aged oolongs, and one roasted one. More were tested before we stopped after having tasted a dozen or so teas.

The shop’s proprietor also showed us his rather unique way of roasting teas. It is an interesting use of what looks like an oven, because it’s not what it seems

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Whereas the exterior of the oven looks like, well, an oven for maybe baking bread, once you open it up you can see that the heat is actually being provided by charcoal at the bottom of the oven, with pans of teas being roasted above it. It’s actually not a bad idea – this way, he can do charcoal roasting while keeping the room’s temperature to a reasonable level, and also limits the amount of charcoal he needs to use as well as being able to roasted a relatively small batch at a time. To the left of the oven is where he rests his recently roasted tea, and to the right, with the big white bags, are aged oolongs of one kind or another – no vacuum pack, no jars, nothing, just plain bags with good aged teas that are surprisingly not bitter at all. Nor does he re-roast the tea, ever, because, as he himself correctly states, once you reroast an aged tea it loses the aged flavour. I heartily agree.

In the end we all walked out of the store laden with tea, all sold at a very reasonable price. Having spent many days tea hunting in Taipei both on previous trips and this one, I can safely say that oftentimes the best shops for buying tea are also the ugliest looking, messiest, and dirtiest ones, with bags of teas piled everywhere, old, sometimes broken pots lining the shelves, and the most disorganized tea tables you’ve ever encountered. The shops that are neat, clean, with nice rows of boxed teas lit with mood lighting and packaged in designer bags are, more often than not, rather mediocre and rarely surprising. They might have a few things that are rare, interesting, or, better yet, sold with a story, but you have to pay a pretty penny for them, and I’m not sure if that’s worth the money, because what you can drink is the tea, and not the story.

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Grandpa style in action

June 2, 2012 · 12 Comments

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See it? The little bottle with leaves in it. Some kind of roasted oolong – probably shuixian. Taken on the street in Mongkok

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Drinking with your body

May 23, 2012 · 17 Comments

My friend L from Beijing has come and gone for a quick visit to Hong Kong. I took him around town to take a look at various older shops here, and drank some interesting things along the way, such as an aged baimudan that’s quite good and some 40+ years old tea seeds that have an interesting fragrance to them. If you look hard enough, you can find interesting things in all kinds of places.

L also brought some things himself, including a cake that he sells, made by the same people who were behind 12 Gentlemen cakes that I tried in 2006. They have now moved to a different philosophy of tea making, and L recently went on a trip in Yunnan with them, visiting their own maocha production facility (they only buy fresh leaves, not maocha) and talking to the producers. The idea behind the cakes is that the cakes are produced with the intent to minimize the aroma and fragrance. As L quotes the maker of the tea, “beginners drink tea with their nose, experienced drinkers drink with their mouth, and the connoisseurs drink with their body”. They’re taking it to the next level, so to speak, by trying to make teas that don’t possess fragrance or aroma, and in so doing taking out the distractions. More on their tea another day.

This is by no means a unique insight -  I have both heard similar things from others, and have also witnessed this myself. It is indeed true that beginners tend to drink with their noses – fragrance, above all, is what they focus on. This explains why jasmine is a perennial favourite of so many casual tea drinkers, and why a light oolong or green teas tend to be “gateway” teas that get people in the door – they’re fragrant and they’re nice to drink. Then, as you progress through the collection of more experience and the like, you start learning about the nuances, and the mouth comes into play – the body of the tea, whether it stimulates the various part of the mouth, the tongue, whether it is smooth, etc. Then finally, you get to the point where you are drinking the tea with your body, where the taste, the fragrance, etc are all less important than how it makes you feel. You can call it qi, even though I dislike the opacity of the word because it means little to those who hasn’t experienced it, or you can call it energy, or whatever you fancy. Yes, every tea has qi of some sort, although I don’t think many will actually be strong enough for you to experience it. In fact, any time a vendor talks too much about qi it is probably a sign that s/he is up to no good, and the tea is really not very good at all, which is why I prefer not to use the word at all – it needlessly adds to the learning curve and there’s a high potential for the Emperor’s New Clothes here.

Yet it is true that beyond a certain point, what distinguishes between a good tea and a great tea is the energy the tea has. Fragrances can be manufactured – they’re mostly the product of the post-plucking processes and can be easily manipulated by the tea processor who’s skillful enough to do the deed. It is much harder to fake energy. The best teas will give you a sensation of a current running through your body, but not in a way that makes you nervous, jittery, or uncomfortable. The 1997 brick I tried recently that made everyone at the table feel jittery was not a good tea in that sense – it was not something I’d consider drinking any time soon, if ever. On the other hand, genuine, good old tree teas tend to provide that energetic sensation in a way that is pleasing and comfortable. It’s hard to describe it, but once you’ve tried it you won’t forget it.

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So with that in mind L brew me some tea. We tried a number of things over the course of two days – one of the produced cakes, some maocha they collected (with him seeing in person the entire process from plucking onward) and also a number of other things. The cake that they produced was, indeed, very bland in the “no fragrance, no taste” sort of way, but it does interestingly enough have some decent energy. He insists on drinking the tea quietly, without comments, which of course helps you focus on the tea in question, but once again, might cause an Emperor’s New Clothes problem.

I think in general this is a good idea – experimentation, even failed ones, are probably good for tea in general. Someone who has a new idea and who wants to produce a tea based on it, and actually having the ability and the skills to do so, should be encouraged to do his best. I still remain a bit skeptical of the end product, but I certainly applaud the general direction in which they’re going. I would also much prefer to drink their bland tea than a newly produced tea using boring old plantation leaves. Now, if someone can figure out how to satisfy all three parts, then you’ve got the perfect tea.

Categories: Teas
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Not paying the resale premium

May 18, 2012 · 12 Comments

Puerh is different from most teas in a number of ways, but one of the traits that it shares less with tea (other than liu’an) and more with wine is that puerh holds resale value, at least in the compressed form. When you have a cake of puerh, you can resell the tea to someone else quite easily, and if you have held it for a while and the cake is famous, the cake can resell for quite a premium. I was talking to some friends last weekend about tea while we were drinking together at a local teahouse, and they mentioned that they bought some Yellow Labels back in the day (about 10+ years ago) for 500 HKD a piece. That tea is now easily 20k HKD depending on the condition of the cake, so it’s quite a markup over the years. While they may not be able to fetch that kind of price, it is quite safe to say that someone who bought tea twenty or even ten years ago would’ve made a lot of money keeping it.

This is drastically different from most teas, which, upon being sold, holds little value. Sure, you can resell 200g of whatever oolong you bought from some online shop probably for little loss if you grew to dislike the tea or simply want something else. Try doing that with 2kg, or 20kg, however, and you’re in real trouble – it’s no longer feasible, and chances are nobody will take it off your hands without a substantial discount. With puerh, that illiquidity haircut is much lower than that of other teas.

This also means that when you buy a cake of puerh, you’re also paying the premium that comes with the liquidity of the underlying asset – the tea itself. When you spend 15k HKD to buy a cake of Zhenchunya, for example, you know that you can quite easily resell the tea to someone else for pretty much the same price. This is also one of the reasons, I think, why teas from Dayi tend to trade at a premium to other factories. Of course, with Dayi tea we more or less know what we’re getting, and there’s definitely a “trust” factor involved here. However, there is also the case that Dayi teas are among the most liquid of puerh teas on the market today, which therefore commands higher prices. This is why there’s the very strange phenomenon, observed by friends in the mainland who deal tea, where one jian of Dayi tea costs more than 42 loose cakes (Dayi jians are all 6 tongs now) of the exact same thing – the jian is more valuable because 1) the packaging of the whole jian gives it one extra layer of anti-counterfeit measure and 2) the jian is the basic unit of trade for tea traders, whereas once you’ve broken up the jian you have to sell it retail, and there just isn’t all that much demand, retail, for this sort of tea.

So when you buy an aged cake, one of the things you’re paying for is this resale premium. You are, in other words, paying for the ability to sell it at a later date. What if you can strip this value away and not pay for it?

Well, there are ways, one of which is to buy broken up pieces of cakes, which are always substantially cheaper than the whole cake itself. Some of these, when you can find them here anyway, are quite tasty and well worth the value. Another option is to buy cakes that are damaged in some ways so that they are no longer sellable in the same way a whole cake with original wrapper, etc, can be sold. Some of these were used as samples. Others were just damaged. Still others… who knows. For the end user of tea – drinkers like you and me – this is something that matters very little.

One of the cakes I acquired recently is in this vein – cheap (relatively speaking) aged tea because it has no wrapper, lost a decent amount of tea (it’s about 300g instead of 357g) and just generally not very appealing looking. It doesn’t mean it isn’t aged, and it isn’t tasty – it’s just no good as something to be sold to someone else, so the only people who’re going to be willing to buy them are people like me – drinkers.

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You can see this is typical Menghai factory stuff (the neifei is “submarine” i.e. under the surface of the cake) with a layer of finer leaves on the face of the cake, and on the back (and inside) rather big leaves. The tea is not particularly great or anything, but it is superior to many of the loose, broken pieces that you can find, which tend to be a little lower in quality. Also, this being a whole cake, it provides a nice reference point for the age and the type. The seller claims this is about 20 years old or thereabouts. The information is, at best, sketchy. The tea has been through some traditional storage, but that was definitely a while back, and the time spent on the shelf of the seller’s store has made it rather mellow.

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With teas like this, is there any reason to pay full price just to get a wrapper?

Categories: Teas
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