A Tea Addict's Journal

Entries tagged as ‘musings’

Tea and sugar

October 12, 2013 · 5 Comments

These two things do go together, sort of. Like this HK style french toast (two slices of deep fried white bread with peanut butter in the middle) and lemon tea.

I normally don’t drink my tea with any sort of sugar, as you can probably imagine. But sometimes I’m reminded why so many people do – it really softens the tannins in the tea, and tannins in tea, when it’s strong, can be pretty nasty.

The point was driven home while I was in Turkey, which, to my surprise, is mostly a tea drinking country, despite the fame of its coffee tradition. Tea was cheaper, and drunk far more often, than coffee. The preferred tea is samovar style – super concentrated concoction watered down. This process makes sense especially in settings where you need to make a lot of tea quickly – you make as strong a brew as possible, without regard for how it tastes, and then you water it down so that it’s more palatable. That’s how tea is made in Hong Kong too in most places – the tea is made super strong, with repeated boilings of leaves with water, and then you finally water it down to the desired strength.

The watering down, however, is also where things go wrong – usually when it’s still too strong when watered down. While in Turkey I sometimes would add a cube of sugar (two always comes with your cup) because they made the tea too strong. While that can be nice, sometimes, when it’s overly strong, it can be pretty unpalatable, since the tea itself isn’t much to write home about. Adding that sugar, however, magically transforms it into a much softer, gentler drink – the tannins are gone. What was a pretty strong and pretty harsh drink is now quite nice, and with one cube, you still only barely taste the sweetness. This is especially true if you then wash it down with some baklavas – or maybe it’s the other way around.

Cream, of course, has a similar effect, but cream influences the way tea tastes far more than sugar does. A small amount of sugar has a fairly neutral effect on the taste, but a small amount of cream is just nasty, making your tea look like sewage, while a large amount will of course change everything. I’m not about to dunk two cubes of sugar in all my tea every day, but sometimes it’s good to be reminded of why most of the rest of the tea drinking public love their sugar with tea.

Categories: Teas
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Really young puerh is not really puerh

September 18, 2013 · 5 Comments

The title of this post is perhaps slightly confusing. When is puerh not puerh? Let me explain what I mean…

What I’m talking about here only pertains to raw puerh. For cooked puerh, the whole process is different and the tea is puerh (cooked) as soon as the post-fermentation happened. For raw puerh, however, the tea does not go through such a post-fermentation process where it is basically composted to create the flavours you find in cooked tea. What you have instead, at least in theory, is a long period of aging where the tea changes from young to old, and in the process, transforms itself from a very green looking thing to a dark, brown or black cake of tea, with flavours to match.

Presumably, we buy young tea to age because we want aged flavours and profile. Cooked puerh is also an attempt to recreate the aged taste without the time – at least that was the original intention of the process, although now it has taken on a life of its own. Puerh, at its core, is a tea that requires post-fermentation of some sort. It is that process of aging which gives the tea its unique flavours, complexity, and aromas. It’s what makes it different from all other teas.

So it is a bit confusing when we use the term puerh to denote anything coming from big leaf varietal trees in Yunnan compressed into cake or brick or tuo form. This is partly because we don’t have a name for such things – what, for example, do we call current year products that are meant for aging? For whisky, we can call them “white dog.” I’m afraid I don’t know the name of what you’d call wine that hasn’t gone through barrel aging – but the idea is the same. When we have something that is newly compressed and newly made, but hasn’t gone through that post-fermentation yet, calling those things puerh can be a bit misleading. White dogs aren’t really whisky – they are more like dirty vodka. The colours, aromas, and taste profile are not the same as whisky that has gone through aging. Likewise, wine that hasn’t been aged at all is going to taste funny. In those cases, there are legal limits to when you can call them by their names – in scotch whisky, for example, it’s three years. For cognacs, it’s two years.

Puerh, unfortunately, has a very confusing definition officially, so that such nomenclature is all jumbled. The official definition of the tea (at least in the 2006 update) makes room for both raw and cooked tea, but leaves out post-fermentation for raw tea completely, perhaps at the behest of producers who want to be able to call newly pressed raw teas puerh as well (note the date of 2006 – at the height of the first bubble). So we are left with a definition that is wholly incongruent for raw tea, all it requires is shaqing, rolling, sun drying, compression. For cooked tea, it includes “special techniques” that will cause “slow or fast post-fermentation.” So, the first is really a green tea that is only distinguished by the sun drying process, and the latter is what puerh tea probably should be – post-fermented tea.

I have been drinking a sample series of teas made by the same producer but from different years – ranging from 2006 to 2013. Since they were (and still are) stored in the same condition, it is possible to compare them against each other in terms of aging. The experience of this matches what I think to be true – that it takes about two to three years for a young puerh cake to lose the “greenness” of the tea and to start taking on some of the aged characteristics. Of course, the whole thing is a gradual process of change, but it is clear that by about three years old, the initial green flavours of the tea disappear. Of course, this depends also on compression strength, type of tea, storage environment, etc, but generally speaking, it takes a few years for a tea to start taking on aged flavours.

It also takes a few years for the wheat be separated from the chaff. I personally no longer buy anything younger than about three or four years. Yes, it is possible that you will have to pay more, but actually, I haven’t found that to be the case really. Considering how expensive new cakes are this year, with reasonably good tea often costing over $100 or $150 a cake, teas from 2007-2009 are actually quite competitively priced. Sometimes they are even cheaper, with the added bonus that now you can sort out the ones that are turning bad or bland. Not all tea will age well, just like not all wine will age well. It is a lot easier to pick and choose at the three year mark, with much higher probability of success, than picking them when they are brand new. I think that’s a good cutoff for when we can call them puerh.

Of course, some people just prefer them green and new. That’s all good – drink them if you want. You can buy new ones every year to satisfy that need. No need to store though – because unless you vacuum seal them (which some people apparently do right from the beginning) the flavours will change. If you are vacuum sealing the tea, you’re treating it as green tea. That’s fine, just don’t call it puerh.

Categories: Teas
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Here, there, and everywhere, at the same time

September 3, 2013 · 3 Comments

Recently I received a pricelist for a puerh vendor’s new offerings. This is one of those higher end outfits that purport to sell gushu teas and which are priced anywhere from a few hundred RMB a cake to a few thousand, all for 2013 new teas. The owner, like many owners of such shops, was already a successful businessman in other ventures, but because of his love of tea (what else?) has gone into tea making and now presses his cakes every year for sale. You can probably find half a dozen such outfits in every major coastal city these days in China.

Also like many such shops, the offering is vast – in fact it’s so vast that it’s completely unbelievable. There are about twenty single origin offerings of various mountains, from Guafengzhai in the east, to Mangfei in the west, and everything in between. For some villages there are multiple offerings, while for others there is only one. This is not counting the dozen or so blends that they offer as well – blends of different mountains, some of which have single origin counterparts, and some don’t.

I say unbelievable, because for it to be top notch tea (and the prices definitely scream top notch) the person making it had to spend some time in each of these places to buy the maocha – maocha, at least of a certain quality anyway, don’t really come to you, especially if you’re not a particularly big outfit with enough muscle to do the buying. Conservatively, if we say the owner needs to spend at least 3-4 days per village to at least gather enough material for pressing the cakes, sort out the logistics, travel etc, that’s already over 70-80 days needed. If he started on one end in late March, by the time he gets to the other end it’s already June. The good tea is not going to wait three months – someone else would’ve bought it already.

It is also unbelievable, because unless you spend an inordinate amount of time in one of these places, being able to tell apart real versus fake (or at least, inferior quality) maocha from various village is difficult. Maocha smuggling – the practice of shipping cheap maocha from cheap production area to expensive villages to sell as the expensive place’s tea – is very common. It’s also not unheard of to pass plantation tea off as gushu, or to adulterate spring tea with fall tea, or other such practices. Just because you got to the village doesn’t at all mean you got the real thing, and even if you’ve gone a few years in a row doesn’t mean people stop trying to cheat you. I have talked to experienced vendors who have been going for a dozen years who still have people bring them inferior tea, hoping to pass muster. If you’re in a hurry and are not picky, you will get scammed, and the tuition gets passed on to the consumers.

Nor is the much vaunted “buy-out contract” model going to work, not well anyway. Over the years various brands and individuals have claimed to have signed contracts with local farmers of some village or another, buying up all their production for the year for a fixed price, limiting production to spring only, etc. In almost all of these cases, there are reports (and confirmed) that the farmers are still selling the tea on the side to others. The fact is, these contracts are basically impossible to enforce. How do you prove that a bag of maocha is indeed covered under the contract in question? In a court of law? How do you prove they harvested in the fall when they were not supposed to under the contract? You can’t, basically. It’s also hard to fault the farmers, who, until about 2006, have sold their teas for virtually nothing. Ten years ago a kilo of raw maocha from gushu material in a not-so-famous village might fetch you 10-20 RMB a kilo. That’s when 8 RMB equaled one USD. Many cut down their old trees to plant rubber instead, because rubber was more profitable. So, it’s hard to fault the farmers for wanting to cash in when the going is good.

It takes skill to press good cakes. It’s not a matter of just going to a village, meeting a few farmers, trying a few different bags of maocha, and buying the best of the bunch – that’s in fact almost a guaranteed recipe for getting scammed. The best cakes I’ve tried all tend to be from people who have had decades of experience drinking tea – all kinds of tea – and who also know the area of production intimately well. This means they spend weeks, if not months, there, often pressing only a few cakes a year or have a regional specialization – only Bulang, say, or only around Yiwu, because you need to control for quality and that takes time and local knowledge. For local producers who are, say, based in Kunming or further south, it is probably possible to have enough contacts and access to do more, but for these fly-in-fly-out type of cake pressers, claiming to be able to do a dozen, or in this case, two dozen different villages, and do them all justice, is pretty much impossible.

Going back to the teas of this outfit – I only tried one, the Wangong. Oddly, it tasted like some Bulang area tea and nothing like a tea from eastern Xishuangbanna, and compared with Zhou Yu’s Wangong, which I also had recently and also from 2013 – it’s not even close. Yet, the tea from this outfit costs almost double what Zhou Yu wanted for his tea. I don’t know who’s buying the story, but you certainly aren’t paying for the tea.

Categories: Teas
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It’s sad when….

July 30, 2013 · 10 Comments

… you break a piece of teaware you use every single day

… you turn on the kettle, only to find the heating element is wonky and you don’t have hot water

… you are traveling and there’s no hot water anywhere within 100km

… your favourite tea shop you visited last time is now a McDonald’s

… you discover that you didn’t seal your bag of tea, and now it’s stale

…or you left it out in the sun and now it’s baked

… you realize that your favourite tea is down to fannings left in the bag

… and it’s sold out

… and the tea you bought instead turns out to be a real dud

… which is beaten by the tea you drank yesterday, on its 25th infusion

… when tea producers promise you so much, and give you so little

… when you can’t decide what to drink for the day, and end up drinking something really bad

Which unfortunately is my case today.

Categories: Teas
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Spare your friend

May 24, 2013 · 3 Comments

As a tea drinker, a very difficult thing to get asked to do is “just buy me something good” and then get handed some money. The motivation is basically the problem – friend (or family, or whatever) is going to China/India/Japan/Taiwan, and so, the asker thinks, why not get them to buy me some tea? Tea is everywhere in those places, what could go wrong?

A lot.

The touring friend may have no interest or expertise in tea. If they are not frequent visitors to these places, then chances are they are mostly going to be in the big cities, visiting the nice sites and interesting spots. Buying tea is fun – but on their own terms. If the friend is buying tea, and is not a tea drinker, the most likely place that’s going to happen is a tourist-trap shop or the big chains like TenRen. There’s nothing particularly wrong with those places, but is probably not what the asker had in mind.

Also, for someone with no real interest or knowledge in tea, buying tea is not an easy thing, especially in East Asia. There are a zillion choices and prices are opaque. The difficulty is that the shop owners will steer the friend to what they perceive to be tourist friendly teas. There’s nothing wrong with that, but it probably isn’t what the asker had in mind.

Also, these days, there are plenty of stores that sell online from those places, and the prices are not likely to be much higher. In Hong Kong or Japan, in the proper places anyway, the prices are not going to change depend on whether or not you’re a tourist – what you see is what you’re going to get. In China, and less so Taiwan, however, prices may or may not be what you’re supposed to get – I’ve heard prices quoted that are multiples of what I paid. It’s not a friendly thing to do, but it’s what they do. The friend may actually be buying overpriced tea that you can get online for much less. Going into a teahouse can also be quite stressful. Some places have high pressure sales tactic, especially if they are in a tourist area. It’s only really fun is the owners happen to be pleasant and the friend enjoys tea. That isn’t always going to be the case.

If the asker gives a list of things to let the friend get an idea of what he wants, that’s great – but that can also be a curse. If the friend is visiting a place that they might not go back to again, every hour spent getting the tea is every hour not spent seeing/hearing/experiencing things. And, the worse thing is, what they get can be wrong. So, they spent half an afternoon at a tea market getting the tea, but turns out it’s not quite right (say, a fall tea instead of spring, or a Fenghuang shuixian instead of a Wuyi shuixian – and we’re lucky if we got that close). Or, if they got a carte blanche, they come back with a bag of nuclear green TGY that is just plain nasty to anyone who’s drank tea for a while, but is really attractive for someone totally new. What then? The friend will feel terrible, the asker feels like s/he was cheated… it’s not a good situation when that happens.

There are actually a lot of choices out there to buy tea from the source. Not all of them are equally good, but there are definitely options. The only thing that is really hard to get overseas are the top end teas, and also some of the really rare things – but those aren’t likely to be found by the friend who is just visiting for a week. The rest, well, that’s what the internet is for.

I’ve been asked before to buy tea for people, and I found it hard to do even though I actually enjoy spending a whole day in a tea market. It’s harder for people who don’t know much about tea, and who are only visiting a certain place for a short period of time. It’s not a good way for them to spend their time, unless they go often and know the place well, so spare them and let them enjoy their vacation.

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Lessons from a whisky masterclass

April 16, 2013 · 3 Comments

I dabble in drinking some whisky now and then. It has, interestingly, some similarities with tea drinking. In particular, I find the experience of drinking and analyzing whiskies to be quite similar to the process that you do with tea, except, very crucially, whisky has alcohol (and also can be consumed straight out of the bottle – and a relatively consistent experience, at that). So, I don’t drink much of it, but I like it.

I also think there are things we can learn, or not learn, from those who drink whiskies. Long time readers probably know that I’m not a big fan of tasting notes, and especially, I’m very skeptical of tasting notes that are full of flavour descriptors – hay, tobacco, straw, etc etc, abound in notes for puerh from many people. I’ve never had hay, or straw, or tobacco, so none of those things really mean all that much to me, and I’m not even sure it means all that much to many people (not to mention that I have a hard time believing tobacco is all the same – it’s like some tobacco smoker describing a flavour as “tea”). So, I generally try to avoid those things. Sweet and sour I use, and sometimes fruity or coolness or smoke, but that’s because I think it is a more elemental, basic sense – I try to avoid things that are quite specific. My vanilla is not really your vanilla.

So it is a rather pleasant surprise to see someone in the whisky review community who is talking about this very issue, and he does so in a very clear, straightforward manner. For those interested:

It’s slightly long, at 15 minutes, but he’s addressing the same issues – don’t just drink with your nose and your tongue. Pay attention to the body, the way the whisky (or in our case, tea) behaves in your mouth, the way it interacts with your body, the finish – how long it lasts and how deep it penetrates down your throat. So on, so forth. Most Taiwanese oolongs, for example, share some similar flavours, but what separates the good from the great are these bodily reactions/responses to the tea that cannot be captured by flavour descriptors. As I’ve said before, drink with your body.

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The speed test

April 11, 2013 · 2 Comments

One very simple metric of checking whether or not a tea is good is really pretty intuitive – how fast do you drink the tea?

I have enough tea to last me a while, but among them, some are consumed quite quickly, and some take forever. Some teas, especially ones that are not very interesting, may be left undrunk for a long time, while others, such as a few aged oolongs that I have, are things I have to control myself from drinking, lest I run out of it. The same can probably be said of samples – when you buy a bunch of samples, there are ones that will be drunk immediately and gone within a week, while other samples, you may open, and they will then fester – left around, because you don’t really want to go there again, usually because it’s bad.

This is more obvious when you have a session with multiple teas and with multiple drinkers. When you have a few teas going, often times the group will then sort of settle on one or two teas, and decide to keep going and going with that one, instead of drinking the others that you have brewed. Sometimes, of course, a tea is drunk to exhaustion, but that’s rarely the case when you have a few different teas going. Usually, they’re drunk to the point where the group no longer wants it, or deems it not-so-good, and move on.

In many ways, I think this is a more honest test of whether or not a tea is good. Of course, good, as used here, means good to drink now. A harsh sample may be great in the future if aged properly for years, but right now, what you want to drink tend to be the teas that you like the most. If you want more of it, chances are, it’s good. I think this is probably a more honest and straightforward method of determining whether you like a tea or not than trying to figure out what flavours and notes and aftertaste you get from it.

Categories: Teas
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Water temperature

March 26, 2013 · 9 Comments

I was just in the US for a few days for a quick conference trip, and had to endure a few days of subpar tea. I did bring my own – some tuo that I found recently that’s rather decent. These days, nice hotels generally have better coffee makers than they did of old. Whereas the old drip coffee machines mean that your water will have to pass through not only the area where the coffee goes, but also into the glass pot where anything going in will start tasting/smelling like coffee, the new ones tend to be done with a construction such that, if you were to remove the coffee element, water will directly pour into your cup. This means, among other things, that there’s no more need to really try to eliminate the coffee smell before you can use them for tea. So thankfully, tea in my room was mercifully ok.

The same, surprisingly, cannot be said for the airport lounge. The coffee machine they have is a fully automatic thing that has a hot water dispensing tap that spits out water with the push of a button. This tap, however, is problematic – the water is too cool. I suspect it comes out at something like 80-85 degrees, and the tea simply doesn’t brew properly in those temperatures. Whereas my tea at the hotel was decent tasting – more or less like the real thing when I brew it at home – the same tea brewed at the lounge in a pre-warmed coffee mug tastes like coloured water. Worse, the tea never really expanded/broke apart. The two chunks of tea stayed quite chunky for a very long time. It was only after maybe the 5th or 6th time I added water to the cup when it finally started to come apart, and it was only then when the tea started tasting a bit stronger. In other words, the water was not hot enough.

This is why when you have a vendor telling you to brew younger puerh at anything under 100 degrees, especially if they tell you to use water much cooler, what you’re getting is a very different experience from what you would get if you go at it with hot water. The effect of cooler water is a lower extraction rate from the tea, and it also opens up the leaves slower. It means that for teas like puerh, you’re not getting everything out of it at once. This does decrease the amount of bitterness and roughness that you might get from the leaves, but it also means you’re not really tasting everything you can.

For teas that you’re trying to evaluate whether or not is age-worthy, this approach can be problematic. If you brew your tea purely for currently enjoyment, then by all means, do whatever you like. If you want it with olive oil and cinnamon, do that. However, I do find that if the roughness or the bitterness is too much, a better way of avoiding/managing them is shorten the infusion time or lower the amount of tea leaves used. Lowering temperatures often diminishes the overall experience – most importantly in the mouthfeel of the tea, making it thinner and lighter. The tea at the airport was definitely a sub-par experience – one that I think makes the tuo come off as weak and boring. I rarely use warm, rather than hot, water to brew tea, so it is good, sometimes, to be reminded of what is possible, and what others may do to a tea. This can also explain the range of experiences that you often see when talking about the same tea – the variables are too many and so comparisons are, oftentimes, at best suggestive.

Categories: Teas
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Rare? Boutique?

November 30, 2012 · 7 Comments

What, exactly, does it mean when someone says a tea is rare? Or boutique? Is that a word that is completely meaningless, or does it actually mean something?

I ask because these are words (along with competition, artisan, etc) that we see, all the time, when people describe the teas they sell. They all suggest a degree of care and quality that you shouldn’t find in what we can call “mass-produced” or factory made teas. But are these terms really what they seem?

Tea farms in China and Taiwan are, still, to a large extent, run by smallholding farmers who all have a small plot of land and farm their own land in their own method. Since the 1980s, there have been an increasing concentration of land in the bigger corporations that sell tea, such as Ten Ren, but generally speaking, most of the teas that people like us drink are coming from smallholding farmers. They are sometimes tea families that have been making teas for generations, but in other cases, they may have just happened to be farming tea somehow – such as some families in Yunnan, who were sitting on tea trees that were more or less worthless a few decades ago, but are now printing money with their teas.

Since that’s the case, it is quite safe to say that a lot of teas are, by definition, rare, because you’re not going to get the exact same thing anywhere else, never mind next year. On the other hand, that’s a definition of “rare” that completely defeats the purpose of the word – it’s only rare insofar as it is a tea that you can’t easily obtain anywhere else, but rare, in and of itself, doesn’t mean anything regarding quality. I can produce a rare oolong by getting some fresh leaves from a farmer and doing my own processing, but I can assure you it’s going to taste terrible. It’s rare though.

The other definition of rare can be that it’s a tea that is uncommon, and thus of higher quality. Something like Oriental Beauty may fall into this category, but I can also tell you that there are varying grades of Oriental Beauty – only the best ones are really sort of rare. The rest are a dime a dozen. Likewise, an older puerh may indeed be rare, and applying that term to, say, an 80s Traditional Character bing is probably not very accurate – things like this are still available easily, if you know where to look, and you can still buy these things by the kilos so long as you have the money to pay for it. Is that rare? Maybe.

Likewise, boutique (or using related words, such as workshop, etc) is just another way of saying “not big factory”. Words like this have been abused by some vendors. Calling a factory that makes tea by the ton a “workshop”, for example, is probably not very accurate. What, then, qualifies as a boutique? Personally, I’m really not sure. I suppose a one-man operation pressing cakes is probably a boutique. People like the couple who press their own cakes probably also qualifies as a boutique, even though I’m pretty sure they end up pressing more than a ton of tea a year (2500 bings – not that hard to do). Again, since so many tea farmers are small time, small plot farmers, boutique is a term that can be widely applied without meaning very much. I’m not sure where that line is, and I think it’s a term that is best avoided.

As for artisan (OED just informed me that artisanal is not a word) – what is that, exactly? I suppose all tea makers are artisans of some sort, even though many of them now use machines almost exclusively for processing, rather than doing it by hand. In areas where hand-made tea is more common, such as Yunnan, it is perhaps useful to use that to denote something hand made – but wouldn’t the term “fully hand made” be much more descriptive? After all, some guy who uses a machine to roll his tea but does everything else by hand is still an artisan, even though he uses tools to assist him. Or is he?

Sometimes these words are unavoidable. It’s rather hard to describe a non-factory making some puerh cakes, or when you are trying to talk about a farmer making his own oolongs. It’s a fine line between reporting what a tea is, and hyping it to goose sales. After all, just like prices, where higher is not always better, not all artisan-made and rare tea is going to be good.

Categories: Teas
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Aging puerh

October 22, 2012 · 21 Comments

Why do we store puerh? Why do you store puerh?

Let’s say you consume 10g of puerh a day. That’s a pretty generous amount for most people, since you’re likely to drink other kinds of teas, and 10g for personal consumption, assuming you don’t drink with others on a very regular basis, is quite a bit. So in a year, that’s 3.65kg, or just around 10 cakes of 357g each. In other words, to satisfy your annual puerh consumption of 10g a day, you need 10 cakes. If you are sitting on 100 cakes, and quite a few of us are, you are sitting on a ten year supply of tea. Clearly, that’s not tea meant for immediate drinking.

So many of us, if not almost all of us (shu drinkers who buy one or two cakes at a time and only re-up their supply don’t count) are buying puerh to age. There are of course a few possible reasons why that’s the case. The first, and is probably the most often cited one, is because we want to drink aged teas, but don’t want to pay aged tea prices. If we look at what the aged tea price involves, I think we can break it down to the following components

Aged tea price = original tea cost + time value of money + storage costs + scarcity premium + additional value of aged taste

So, naturally, a cake of tea that cost $100 in year 1 should, theoretically anyway, cost a little more in year 2, because the opportunity cost of forgoing the investment income from the $100 plus the storage cost should be worth something. In this current environment, the opportunity cost is pretty negligible, unless you happen to be a financial wizard. Storage cost, depending on your location, is always non-zero, but is also relatively negligible. So in year 2, your tea might be worth $102, and in year 3, $104, so on so forth. Of course, you may feel that a fairer measure would be inflation-indexed, so maybe you should benchmark the opportunity cost to inflation, rather than the returns on treasury notes. That might bump it up another percent or two, but still, not a whole lot.

The other things, however, are the kickers. The first, scarcity premium, is a real problem. For example, for teas that are well known but which were relatively limited in production, the price of the cake can be driven almost entirely by this premium. The Yuanyexiang that was made famous by a bunch of magazine and other writers online took off that way, and the prices are now something like 1000 RMB, for a tea that really isn’t all that great, even now, ten years later. When I bought them, it was almost 200 RMB. That was six years ago, and I thought it was pretty expensive. Has the tea improved so much that they are now worth 5x as much? No. It’s all about scarcity, and the fact that there are more people chasing the tea than there are teas available, so the prices keep going up and up, even though in recent years folks have started chasing other things and its price rise has stagnated.

We see similar movements in teas from regions that are considered good and low in production volume. Lao Banzhang old tree teas, for example, are in that category. There isn’t much of it to begin with, and so now anything that has a whiff of Lao Banzhang in it is priced astronomically, even when new. A lot of times they’re not even very good, or simply fake (using teas from neighbouring villages, etc). While the quality is there for the real stuff, a lot of it is not of that quality and is instead something inferior, but the scarcity premium is applied anyway.

Then there is the aged taste term, which I think is what we are all actually looking for when we store our own teas. We want our teas to age, and to age well, so that twenty years from now we have nice aged teas to drink. Many of us, especially those of us from or live in Asia, got started in this hobby because we tried incredible aged teas, and want to replicate that experience. The problem with this is twofold. The first is, in a lot of cases those aged taste may not be what you’ll end up getting in the end. Storing crap is not going to land you with a well aged tea, because crap only age into aged crap, not aged nectar. Picking out teas that will age well is not easy, and there are conflicting theories as to what will make a good aged tea. That’s a difficulty.

The second problem is that there are lots of risks with aging, and it has real costs disassociated with the time value of money and the storage costs. For example, you run the risk of ruin – mold, fire, flood, mice, children, among many other possible bad things that can happen to your tea. Some are recoverable, others not. A kid drooling on your cake is probably ok; the same kid decorating your cake with permanent marker, not ok. I know of at least a handful of friends who stored teas and have met unmitigated disasters during the process. It’s a real threat, not imaginary.

There are two other problems related to this. The first is one that I think will start manifesting itself in the coming years – some areas of the world just aren’t very good for storing tea. Kunming, for example, falls into this category, and I think some places, like Los Angeles, will as well. Hster’s samples from the Bay Area are not promising either. However, these things don’t show their colours until you’ve tried storing it there, for years, before they become apparent. Also, exact locations in the house, where the house is situated, and other micro-climate issues may affect the tea, positively or negatively.

The other problem is more fundamental – that the aged taste may not be to your taste. This, I think, is a real risk among many who come into this hobby not through the old tea way, but who start out drinking young teas and then only occasionally have access to one or two samples of older teas. Such drinkers might have a great appreciation of what younger puerh offers, and may very well be a very sophisticated drinker of young puerh. However, if they buy lots of tea, by definition not all of it will be consumed, and when aged, they might not be to the taste at all.

I’ve encountered folks like this in China. Some can tell me, with great precision, which village a tea is from. However, for the most part, they drink younger (10 years or less) teas on a regular basis, and have little experience with older teas, regardless of provenance or type. So they can get confused when presented with something older, aged in a more humid climate (not traditionally stored) or not of single village origin. For drinkers like this, I think the fun is in trying to figure out where things are from, in learning the different characteristics of the villages, etc, and not so much in the aging process. I’m not sure if it’s such a good idea for them to buy a lot of tea to age, because, frankly, they might not end up liking it.

To many, this is of course anathema to what puerh is about – puerh needs to be aged, and I generally agree with that. We do also need to recognize that the hobby is changing a bit, first from traditional storage to the proliferation of home natural storage, and now, to a different way of enjoying the hobby – trying to figure out origins, terroir, etc, things that are generally absent from the older teas because they were almost all big factory blends, unless you go all the way back to pre-1949 teas. I do think there’s a need to recognize and perhaps even separate the different sides of the hobby. When we say a tea is good, do we mean good now? Good later? Good to age? Under what conditions? For whom? I’m pretty sure a bitter, smoky tea stored for decades in, say, Alberta, is probably still going to be bitter, smoky twenty years hence. How many twenty years does one have in a lifetime?

Categories: Teas
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