A Tea Addict's Journal

Entries categorized as ‘Teas’

Good teas are all alike…

March 3, 2014 · 2 Comments

.. and bad teas are bad in their own special ways.

Paraphrasing Tolstoy only gets you so far, but in this case, I think it works. Good teas are indeed mostly similar – they are strong, have good body, last a lot of infusions, hit all parts of your mouth when you drink it, and most importantly, taste good. Some might throw in good qi as a bonus, but not every tea has qi, not even good ones (good luck finding qi in a longjing). Nevertheless, like A student papers, there’s not a lot to say other than “it’s good”. You can wax philosophical about how good it is, but that’s not strictly necessary.

Likewise, true failures of the worst kind, the Fs of teas, are also easy to deal with. They’re so bad that they do not merit any kind of time to examine – everything is wrong. They are easy to dismiss.

It’s really the middle ground – the Bs and Cs and Ds of teas, that take the most time to analyze, to grade, and to judge. They have flaws, sometimes minor, sometimes major, but they are flawed in different, diverse ways. Most importantly, for those of us buying teas, they might be bad in ways that are not easy to spot right away. Using the metaphor for paper grading, it’s like a ten pager that starts out strong and then, by page 4, falls apart, contain plagiarized passages, has no proof, can’t spell, etc. You wouldn’t know it if you only read the first couple pages, but if you look more carefully, the problems can be there and be really obvious.

I just tried a few cakes I bought off Taobao recently, and they are all bad in different ways, which is what prompted this post. One, a supposed Yiwu that’s got some name recognition, is bland – seems to be a product of bad, dry, and aired-out storage, even though it has good throatiness. The other, a bulang, packs strong flavours but is intensely, intensely bitter. Yes, it might go away eventually, but probably not, not fast enough anyway. A third has a weird flavour that I associate with strange mainland storage – it’s a sample the vendor threw in, and it’s just, well, strange. Unfortunately, none of them were worth my time, and all of them were bad/strange in their own ways.

Then there was a dahongpao I received a while ago as a gift. These days, all mainland yancha arrive in pre-packed packets, and they are virtually indistinguishable from one another. Gifts can run the gamut from really great tea to really poor. This one, unfortunately, leans on the latter. It’s bland – just not rich and full enough to be called a dahongpao, and is probably just some cheap yancha from the outlying areas.

Learning to spot these things take time, effort, and usually some tuition. It’s very easy to be led down the wrong path by the wrong vendors. This is especially true if you happen to visit mostly one vendor for your teas – if all the teas are bad in the same way, it’s not easy to figure out that it’s actually a sign of poor quality, as opposed to just the way it is. Take bad storage for example – you won’t notice a storage problem if all the teas you have share the same type of storage problem. In that case, you’d just think that’s how things are. Unless and until you’ve tried something else, and it’s totally different, do you realize that something is wrong with the original teas you’ve had. Figuring out what that is takes even more time. The same can be said of teas that claim a certain place of origin, but isn’t actually from that place, or teas that are supposedly processed a certain way, but isn’t. Then there are just the teas that are bland or low quality. All of these require comparison to highlight. So comparison is the key to learning how to spot bad tea.

The job of any vendor is to sell you the tea they’ve got, so in tasting notes you’ll always see things highlighted – aromas, mouthfeel, or worst of all, qi, that ephemeral quality that most people have never experienced, or only think they’ve experienced. For that bitter bulang I just talked about, for example, the vendor might say it’s long lasting and powerful, never mind that it’s like swallowing a bitter pill every time you take a sip. For that Yiwu that I thought was weak, you’ll get notes like “floral and penetrating” because it’s got a bit of throat action going on. The dahongpao I just referred to as bland would be “fruity” and maybe “delicate.” As for qi, out of 100 teas 99 have no qi to speak of – drinking chicken soup can equally give you that rush of warmth and sweat that some point to as evidence of qi. Qi does, I believe, exist in some teas, but they are rare. That’s another post.

Categories: Teas
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Artisanal ≠ Good

February 25, 2014 · 12 Comments

It’s pretty common to see listings of tea with the word “artisnal” thrown in there. What does the word really mean in these context? Obviously it’s derived from the word “artisan” and generally mean that the tea you’re about to buy was made by an artisan. Ok, so far so good. So what?

More specifically, when is a tea not made by an artisan?

I suppose you can use this term to apply to teas that are purely hand made, farmed without machinery, and so on. I can assure you, however, that any tea you buy online does not fall into that category – teas like that are exceedingly expensive and very rarely done. Lots of farmers in China and Taiwan are independent farmers, but almost all of them use machinery as aids in the process of producing the tea. This can be large scale farming equipment, to something as simple as a roller and a shaqing machine for their teas. For oolongs, for example, rolling is a particularly backbreaking task – takes forever, lots of work, and hand (or foot) rolled teas are not as pretty as machine rolled ones. So these days they’re all machine rolled. Those balled up oolongs you love so much from Taiwan? It’s thanks to the machines that you have that shape.

Nor should we romanticize the past as some golden age when people made everything by hand. Sure, they did that, maybe, but that’s mostly because they couldn’t afford the machines that would make their life easier. Nobody prefers to spend hours rolling a ball of tea or sweating in front of a giant wok frying the tea when they can just do it more evenly, more predictably, and with less effort by the possession of a machine. These contraptions exist for at least a century now. I’ve read colonial period Taiwanese books on tea horticulture that detail the use of these things – rollers, shaqing, shakers, whatever you need. The problem was not so much invention – that’s the easy part. The problem was access. It was too expensive to afford a lot of these things. So at first, a whole village would invest in one and people would take turns using it. Then, as the cost of the machinery got lower over time, everyone had one.

We saw this type of change happen in Yunnan as well in the past decade. Before 2004, and before the crazy boom of puerh prices, Yunnan farmers were dirt poor. People cut down tea trees, sometimes really old ones, to plant rubber trees instead, because rubber was worth a lot more. Those who kept their tea trees got lucky, and now many of them have machines to aid them in the processing of teas – shaqing being most common, but also other measures. Tea picking has also been farmed out, often times, to people from poorer areas or villages. It’s hard work, and those farmers lucky enough to live in rich tea villages don’t really want to do that stuff anymore.

There’s also the relative skillsets involved – just because you made it by hand doesn’t automatically make it better. An old tea hand I know in Taiwan told me that a certain tea farmer in Pinglin used to be good – in the days of their grandfather, but the skills have either been lost or just not there, and so this generation’s teas are so-so. Some people are just better at some things than other, and variation is to be expected. Within a whole group of people, some will be better at a task than others. They can all do things basically the same way and the outcomes will be different. An artisanal tea grown in, say, Lantau Island in Hong Kong is still going to be terrible, because the climate just isn’t right and the tea is grown in a pretty bad environment. The skills of the artisan also just isn’t there (yes, I’ve tried the tea). Artisanal doesn’t mean anything.

Even long history is no protection – yes, they might have family secrets passed down if the family’s been in the business for a long time, or they might not. In fact, think of it another way, a family might be in a tea business for so long not because they were successful, but because they weren’t successful enough (and thus didn’t make enough money) to move into other more lucrative ventures. Very few people choose to remain smallholding tea farmers if they had a choice – tough work and low reward even with machinery as aids, especially in a rapidly industrializing society with lots of new opportunities. Better off going to school and becoming an engineer. Before you say I’m just being cynical, I have family relatives whose families did make tea and then moved away from it. It’s a very real option and most people, when given the choice, will choose to leave the farm.

Then you have stuff like this

Yes, some of you will object that this is large scale industrialized tea made for mediocrity. That’s right, but there’s lots of skill here, and the fact that a tea blender can easily re-create a recipe given the raw ingredients just by tasting is nothing short of amazing.

So next time you see that description of the tea you want to buy as “artisanal”, please remember that it means basically nothing.

Categories: Teas
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Playing with fire

February 8, 2014 · 2 Comments

I’ve had this for a couple years now, but I haven’t tried using it until now. Living in an urban environment is not really conducive to using charcoal to boil stuff, especially in a hot place like Hong Kong where the weather is rarely cold enough for this sort of thing. There’s something wrong about lighting it up indoors when it’s 33 degrees outside.

Not having a yard or a barbeque at home, lighting up the charcoal means doing it right in the stove, which is a little harder than the tonnes of space you’re afforded in a barbeque. The easy way to do this is just to light it up in a charcoal chimney or some such, but without any of those tools, I was reduced to starting a fire in these stoves. Obviously, practice makes perfect, and since I don’t have practice, it took a few tries. Turns out, the trick is pretty simple – fan really hard once you’ve got a little fire going in there. Constructing the charcoal so that there’s good airflow is obviously important. Once started, all you have to do is to add enough fuel to make sure there’s enough heat coming off.

Using this setup really does change how you approach the tea. First of all, you don’t have a lot of water to work with, so you’ll economize. If you’re used to throwing water everywhere, well, if you do that with this setup, you’ll be out of water before you get your first brew. With my normal pot, I can get about 4 infusions out of this little kettle. It takes 15 minutes to bring cold water to a boil using this setup. So, obviously, you won’t waste water.

You also need to just sit there and not multitask, because multitasking is impossible. It’s quite easy to walk away from a tea session, attend to something, and then come back and continue if you have an electric setup. With this, you can’t easily do that. The water won’t wait, and will keep boiling, and the fuel also won’t wait. If you go away for 20 minutes, your water will probably boil dry, your kettle might crack, and your fuel might start running low. You don’t want to restart a fire. That’s hard work. There’s a reason in those paintings it’s always the servant boy doing that.

Now, does it actually make any real difference?

I don’t think so. I certainly don’t think any of those claims about “oh, charcoal boiled water is sweeter” or any such thing. Heat is heat, and while the charcoal does smell nice (I used longyan – or longan – wood charcoal), it doesn’t really do anything particular to the water. My normal kettle boils it just as hot, as far as I can tell. The biggest difference is probably atmospherics – you feel different doing this. There’s also probably some difference in the material of the kettle itself – iron, in my case, versus clay. I don’t think the source of heat makes any difference there.

You do, however, learn to love your tea towel, because you need it. For this kettle, the handle gets hot, so without a towel it’s untouchable. If I want to do this a lot, I might want to get a slightly bigger kettle, so that the handle won’t get as hot (but with a definite tradeoff in boiling time) or I can try to buy another kettle with a top handle made of something like rattan.

This sort of setup also forces you to drink certain kinds of tea – I’m not going to drink a puerh that will go on for many infusions, because it’s quite impractical to come back to the tea later on, and so you want to pick something that will be done in a few kettles of water, at most. With that in mind, I picked an older dahongpao. It came out beautifully.

Categories: Objects · Teas
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Things that matter, things that don’t

January 8, 2014 · 18 Comments

Over the years I’ve seen/heard/read many purported “rules” when it comes to buying yixing teapots. They all claim to help you buy a good pot. I’ve believed some of them at some points, although, increasingly, I no longer rely on any of them. I thought I will list a few of the common “rules” that people have developed – ones that I think are actually leading you down the wrong path, and offer up an alternative instead.

Keep in mind that everything written here is from the point of view of someone buying to use their pots, especially smaller pots that are for, at most, 3-4 people. If you are looking to buy things for your collection – then it’s mostly a question of personal taste and preferences. I’m also fully expecting to see people who think what I write here is wrong. If you disagree, let me know why.

1) The pouring test – basically, putting water in the pot and then pouring it out. This test is supposed to check, mostly, for whether or not the pot drips or not. It is true that pots that drip are annoying, especially if you pour slowly, but actually, I’d argue that dripping is not the worst thing that can happen. The thing is, when it’s a small pot and you’re using it mostly for personal drinking (as I think many of my blog’s readers do) it’s actually quite rare that you will use it for pouring into multiple cups – that’s when dripping becomes a serious problem. During my normal day to day drinking, for example, I’d pour the contents of my pot straight into a cup that’s large enough for the pot’s size. Also, when pouring, the pot is tilted basically 90 degrees so the spout points down. In that case, whether a pot drips or not makes very little difference – it will pour into the cup, regardless. The same is true if you use a fairness cup and you empty your pot into that.

Instead, something to pay more attention to is actually the speed at which it pours. Crucially, it’s the speed at which it pours when it’s tea that is hot, not water. I’ve used pots that pour well when it’s cold water (what you’d use to test in a shop) but do poorly when it’s tea – tea has slightly higher viscosity, and in some cases, it does seem to matter. If you have a slow pouring pot, it can kill your tea drinking experience using it.

2) The lid test – there are various versions of this out there. The simple one is just whether or not the lid fits well or not – if it wiggles, the theory goes, it’s a badly made pot. The extreme ones claim that you should put water in the pot, fill it to the brim, put the lid on, hold the pot by the handle and spout while covering the spout, and then turning the pot over. A supposed truly well made pot will have a lid that doesn’t fall out.

Aside from the very obvious problem of running the risk of having the lid fall out and break (and thus making it very unlikely that vendors will let you try this before you pay) it also serves no purpose in tea making. A tight fitting lid doesn’t actually make your tea better. It doesn’t really help pouring (in fact, it might exacerbate slow-pouring problems) and it doesn’t even necessarily denote good craftsmanship. Most pots these days are made with molds – which seriously lower the bar set for tight fitting lids. Just because it fits tight doesn’t actually mean much for the drinker. A lid that is a bit loose, as long as it’s not excessive, is perfectly acceptable. We are not talking about lids that are almost falling into the pot here – those are annoying (I have one). A bit of wriggle won’t really matter much though.

3) Factory 1 is everything – there is a certain fascination with factory 1 teapots. In case you missed the memo, Yixing factory 1 was the main factory for making teapots back in the state-controlled days. Many famous potters got their start there, and so many early period pots might have (emphasis on might) been made by said famous potters. There are various theories out there as to what the signs are for a master-made pot – seeing, for example, 宜興南孟臣製 as opposed to 荊溪南孟臣製 as the seal, for example. The idea is that factory 1 controlled the best clay, the best talent, and so the pots they made were the best.

Sure, that may be the case, and in terms of collectible value, a verifiable factory 1 pot is certainly worth more than one that isn’t. However, there’s a problem – it takes a serious amount of work to learn to distinguish what’s a factory 1 and what isn’t, and most people who sell these things haven’t a clue. They are just told by their friends (who sold them the pots) that they are, indeed, factory 1, and pass them on as such. There are probably way more factory 1 pots out there than factory 1 ever produced, just like there are far, far more Lao Banzhang on the market than all the tea Lao Banzhang has ever made in its entire history.

This is even more of a problem when you buy pots online, as many of my readers are likely to do. The signs of a well made pot – clay, craft, etc, are hard to discern through pictures alone. Unless and until you can handle the pot, or, if you feel adventurous, buying online is a real gamble. And also, given the cost of a real factory 1 pot these days, it’s a non-trivial amount of money (hundreds of dollars) to be gambling with.

Finally, the supposed value of a factory 1 pot is not really in tea making – and even if it does somehow improve your tea slightly, as I’ve stated a long time ago, the incremental difference (if any) is going to be pretty minor, all things considered. If you are hoping to buy one of these pots because you think it will dramatically improve the tea in your cup, you should invest the money in buying better tea leaves instead.

4) XXX clay is good for XXX tea – there has been an explosion of the names of clay types in recent years. An old teapot dealer here in Hong Kong who’s seen more teapots than I have drunk cups of tea tells me that until maybe 15 years or so ago, nobody cared what clay a pot is made with – the names are simply “red clay” “purple clay” or “duanni”. None of this “dicaoqing” “qingshuini” and a million different types of zhuni, etc etc. That, he thinks, is all just a ploy for sellers to get people to buy more pots – and I can sort of see why, as the completists in us want to collect something of everything. To him, the only thing that matters with the clay is whether it’s good or not – which is told not by the type (or more specifically, the name) of the clay, but rather by its texture and look and feel. He can’t name you what it is, but he can most certainly tell you if it’s good clay or not. Likewise, the idea that a certain type of clay, itself a dubious idea, is only good for certain type of tea, is a double dose of such myth perpetuation. Don’t buy into it. You don’t even need to use a pot with one single type of tea – using it with one family of teas is usually good enough.

At the end of the day, if you’re buying a yixing pot, just know that you’re not buying a power-booster to your tea – that’s not what it’s going to do. It may change your tea that you normally brew in, say, your gaiwan, but it won’t necessarily improve it – in some cases (depending on the pot) it may even make the tea worse. If you buy a pot, it’s because you want to use a pot and like to use a pot. If you want flexibility, stick with gaiwan. They’re cheaper and more versatile. Just don’t buy an expensive one – it will break.

Categories: Teas
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Explaining the impossible bargain

January 2, 2014 · 3 Comments

Sometimes when shopping for tea, one comes across the impossible bargains – prices that are simply too good to be true. Over the years, I’ve found those to fall into three main categories.

1) It really is too good to be true. This is probably something that isn’t what it claims to be, or possibly, not the whole truth. There’s often some fudging going on with these – an aged tea that isn’t quite aged, old tree tea that is, well, not that old, high mountain tea from areas that really don’t qualify, etc. “Revivals” or “the area of XXX” or “1990s” are all labels that may pertain to these sort of teas. So, in other words, these are trying to upsell as much as possible. There’s a reason they are so cheap.

2) The seller has no idea what s/he is selling. This happens most often in smaller shops, out of the way shops, shops with really old stock, or personal sales – people who don’t know what they’re doing. They are also invariable teas that are older – if it’s new tea, and s/he had to buy it and resell it on the open market, they’re not going to get good prices that you can pass on to the customer unless they operate at a loss. You have people who inherit old puerh cakes by the boatload and throw them away thinking they’re stale tea. You have people selling their own collection on the cheap because they’re in a hurry to get cash. You have sellers who just want to get rid of something and don’t care what prices it goes at. These are real bargains, if you can find them, but they are pretty rare. It also takes a lot of energy to seek these out.

3) The seller knows exactly what s/he is doing and doesn’t care. I’ve met some of these before, and these are the most interesting cases.

Modern economics has as one of its basis the assumption that actors are, by and large, rational. They generally do things that are in their own best interests, and sellers of a commodity like tea would, normally, behave that way. If the market price is $100/jin for a given tea, then a seller who sells it for considerably less must have some reason to do so – the reasons should include some return on the lower price they accept. That could be liquidity (like the guy who needs cash now) or relationship building (selling you something cheap so you’d come back for more). Or maybe it’s part of the business strategy (hypermarkets). There’s a good reason they do such things.

But over the years I’ve met a few sellers who don’t care, and whose motivations for selling at below market defies economic logic. I’ve bought cakes before from people who know it sells for, say, $250 a piece on the market, but sold to me for half the price. I’ve bought aged oolongs that are quoted at the same price they were sold 30 years ago (granted, prices for Dongding in the mid-80s was high), when the same tea can only be had at other joints for 3x the price. Why?

Oftentimes the answer I’ve gotten goes something like this: I sell this tea for cheap because I need to sell to my own customers. However, these are customers who generally don’t do a lot of business. For example – I only go to Taiwan a few times a year, and I buy, at most, a few jins (one jin = 600g) at any given shop. My total purchase within a year at any one shop will probably not exceed 10jin. That’s peanuts. While I was there this time, one of the shops was readying a shipment of 20jin of Dayuling for a store in Tokyo. I’ve sure that order alone outpriced whatever I bought by a factor of 5 or more. What’s the point of keeping customers like me happy?

The answer to this rather silly question is that to some, wringing maximum amounts of money is not quite the point. It’s somewhat interesting, as the rationale told to me is usually something like “well, I have to make sure I have stuff for you guys” or “I don’t know how to just mark it up like them.” There are also others who do it to stick it in people who change prices monthly for their tea – although in these cases selling tea tend to be a sideline of sorts to something else. Also, if they know that the buyer is a vendor, the price is not as friendly – therefore in these cases, buying small quantities through retail is actually better than buying dozens of jins of tea wholesale.

I’m not complaining about this, of course, if I’m the beneficiary. It’s just an interesting case where the textbook assumptions in economics fails. I think for these sellers, they derive pleasure in actually selling to retail customers who are loyal and come back year after year. Earning an extra 200 HKD or not on that sale is not that important to them. This is also why I have, over the years, stopped going to places that keep their prices very current – there’s something cold and unfriendly about places like that. I might not get the latest fashionable tea from them, but what I do get is a very nice reliable supply of teas that I like. That’s good enough.

Categories: Teas
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Diversity

December 18, 2013 · 3 Comments

When I spend any amount of time in Taiwan, a lot of tea is almost inevitable. This is not only because I actively seek it out, which I definitely do, but also because even at places where you aren’t looking for tea, it comes to you.

So, in the past five days, I’ve had

Early 90s Alishan
A couple aged Oriental beauties
An old baozhong
Fall 2013 Gaoshan
1950s “Paperless” Red Label
Two 2013 Fall productions Yiwu from Wisteria
2013 Dayuling
Three or four aged baozhongs, various ages
Two new baozhongs, 2013 Fall
One aged dongding, or something similar
Another 90s Alishan
A 2013 gaoshan
An aged cooked puerh
A 1980s teabag of aged oolong
A very nice aged shuixian
Two award winning, slightly aged Oriental Beauties
A 2012 Winter Gaoshan
A beautiful 2012 Beipu black tea
A perfectly stored early 90s Gaoshan
A 30 years old dongding, reroasted
A 25 years old dongding
A wet 30 years old baozhong

And this is with only one tea shopping trip (to Wenshan and a couple old haunts) – the rest were just drinking with people.

There’s also a wide variety of places that I ended up at, from teashops that have bags of tea littering the floor

To various types of more refined establishments, one of which happened to be a Nanguan studio where we basically enjoyed a private show, with tea

It’s hard not to be picky about your tea when you live in a place like this. It’s also a place where you can enjoy tea high or low – whether it’s a casual cup of tea from one of those chains that serve it cold with ice and shaken, or fancy with the full setup and some exotic tea with a story to match in someone’s home. There’s something for everyone here who drinks tea – if you haven’t been here (and are reading this blog), you should.

Categories: Teas
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Back to the Island of Tea

December 12, 2013 · 11 Comments

How do you know you’re in the Island of Tea?

Well, not immediately, but when you check in to your hotel, and you walk around a bit, and notice that less than a block away at the street corner, there’s this

and this

and best of all

Did I mention this is all on the same street corner? And of course, within the same block and half radius, there’s at least two or three more shops that only sell tea.

But still, this could be just the one district where there are a bunch of tea shops. Well…. until you get back to your room, flip on the tv, do some channel surfing, and while doing so, finding that two of the tv shopping networks sell tea (among more normal things, like women’s underwear). Yes, they sell tea via tv.

In retrospect, I really should’ve recorded it via video, but I’ll spare you the hard sell, since it involves a lot of yelling about how great a deal is. The first channel was selling puerh.

As you can see, only 3 and half minutes remaining, so I didn’t catch the initial pitch. In any case, they were too excited about this amazing deal to actually tell me how much tea they were selling for the price they were quoting, and they had to keep reminding me how there’s only a few minutes left. From this chart, I figured the following:

It seems like they were claiming that they had this great cake from year 2000, somehow broke it up and made them into mini-tuos – don’t ask me how, why, or whether that’s even possible. Anyway, that’s the claim, and for the low, low price of 1980 NT (about $60 USD) you can get a can of these minituos. If you buy five! You can even get a free ceramic cup! In case you want to see what cake it is:

As the last line said, the preciousness of this tea does not need to be said.

The other channel was selling something a little more conventional

Yes, Cuifeng, in Hehuan Mountain, winter harvest. What sounds like half a jin (300g) for 2760 NT, about 90 USD, which is really not very cheap at all. To prove that it’s really high, they of course had to bring out the maps

Oh, and if you buy 4 jins total, they’d give you a free 4oz sampler of the same tea!

Yes, welcome to Taiwan.

Categories: Teas
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Hong Kong milk tea

October 18, 2013 · 6 Comments

While we’re on the subject of what regular people drink, it’s hard not to talk about the traditional Hong Kong milk tea.

Normally, milk tea of any sort usually consist of some milk or cream and a regularly brewed black tea of some type, maybe lipton or something along those lines. Hong Kong milk tea doesn’t follow that. It’s a very heavy blend of evaporated milk and tea. Witness the colour

These things are usually served without any sugar. You can add your own, if you want, as sugar is usually on the table in large quantities. The way this stuff is brewed is what some people call the “stocking milk tea” – it actually is a cotton bag that looks like a long sock, with tea inside. They use two pitchers with no lids. The brewer repeatedly pour boiling water (after the first infusion, tea) back and forth between the two, while having it on the heat source so it’s kept at a very high temperature. They do this until it reaches the desired strength, which is somewhere between super strong and incredibly strong. Then, to serve, they add a few big spoonfuls of evaporated milk and then pour the tea into it with force – the “clash” between the two elements is important, and the resulting drink is a very smooth tea/milk concoction. Without the milk, the tea itself is a very bitter, sour, and strong drink that isn’t very good.

The tea they use is pretty low grade stuff, and is usually a blend of various kinds of teas. The base is this

The right hand bag is the tea (left side is coffee). If you really want, you can buy a bag of this stuff over Taobao at the paltry price of 168 RMB for 5lbs (incidentally the Taobao page also has a couple pictures of people making this tea). They claim this is Ceylon black tea, with different grades mixed in. Oftentimes various restaurants will use these as a base and may or may not add things to the mix to create their own flavour – cooked puerh for example is sometimes used to give the tea more body.

Evaporated milk (right) is the preferred fat source in Hong Kong.

I think in Singapore you see condensed milk instead (left), which is already sweet. The results are very different. There are also different kinds of evaporated milk. Something you run into sometimes is a particularly nasty one – basically imitation evaporated milk made using mostly vegetable fat and milk powder. It looks like the real deal, but the taste is off, and the body is thin and gross.

There are other variations on a theme, most notably the yuenyeung (pinyin: yuanyang) which is a perculiar mixture of half coffee, half tea, plus milk. I’m not a fan, but it has its devotees.

You’d think something like this should be pretty simple, but I’ve been to restaurants where the result is so horrible I’ve never gone back again. It’s really one of those drinks that can define your shop, and if your ability to make this singularly Hong Kong drink is not there, your business will suffer.

Categories: Teas
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Tea and sugar

October 12, 2013 · 5 Comments

These two things do go together, sort of. Like this HK style french toast (two slices of deep fried white bread with peanut butter in the middle) and lemon tea.

I normally don’t drink my tea with any sort of sugar, as you can probably imagine. But sometimes I’m reminded why so many people do – it really softens the tannins in the tea, and tannins in tea, when it’s strong, can be pretty nasty.

The point was driven home while I was in Turkey, which, to my surprise, is mostly a tea drinking country, despite the fame of its coffee tradition. Tea was cheaper, and drunk far more often, than coffee. The preferred tea is samovar style – super concentrated concoction watered down. This process makes sense especially in settings where you need to make a lot of tea quickly – you make as strong a brew as possible, without regard for how it tastes, and then you water it down so that it’s more palatable. That’s how tea is made in Hong Kong too in most places – the tea is made super strong, with repeated boilings of leaves with water, and then you finally water it down to the desired strength.

The watering down, however, is also where things go wrong – usually when it’s still too strong when watered down. While in Turkey I sometimes would add a cube of sugar (two always comes with your cup) because they made the tea too strong. While that can be nice, sometimes, when it’s overly strong, it can be pretty unpalatable, since the tea itself isn’t much to write home about. Adding that sugar, however, magically transforms it into a much softer, gentler drink – the tannins are gone. What was a pretty strong and pretty harsh drink is now quite nice, and with one cube, you still only barely taste the sweetness. This is especially true if you then wash it down with some baklavas – or maybe it’s the other way around.

Cream, of course, has a similar effect, but cream influences the way tea tastes far more than sugar does. A small amount of sugar has a fairly neutral effect on the taste, but a small amount of cream is just nasty, making your tea look like sewage, while a large amount will of course change everything. I’m not about to dunk two cubes of sugar in all my tea every day, but sometimes it’s good to be reminded of why most of the rest of the tea drinking public love their sugar with tea.

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Turkish delight

October 1, 2013 · 6 Comments

These cups are everywhere in Turkey, and usually accompanied either by a big bowl of sugar, or two cubes of it on the side. It’s really quite a nice way to get a little tea in the middle of the day – that caffeine hit you need for those of us who don’t imbibe that other drink.

This particular place was in the middle of Istanbul’s Grand Bazaar. It’s a tiny corner rented out to these tea purveyors

Interestingly enough, there is something vaguely similar between this and the way they make tea in Hong Kong. The pots you see up top are full of concentrated tea – tea brewed very, very strong. Then, when it’s time to serve, they dilute it with water from the spigots. Three old men take care of the station and do some short deliveries, and some younger men are there for the somewhat further shops. I suspect each of these stalls have their own “region” in the bazaar – since it’s quite large – and serve their local area. The tea never comes with any milk or cream, just sugar. One cup costs a lira each (about 50 cents USD) and it’s drunk fairly quickly – the cup is small.

The best part of this is, it’s on demand.

Throughout the bazaar are these men carrying the dishes – delivering tea (and other drinks, but tea mostly) to the various shopkeepers. There’s also food that gets sent too, and interestingly, I didn’t see much coffee sent around. Maybe coffee isn’t drunk in this sort of setting? None of the deliveries involve any sort of throwaway boxes or cups – they are all reusable, glasses or dishes. It’s quite environmental. I wish Hong Kong still does that. There’s an old world charm about this, and it’s on full display here in this historic city.

Categories: Teas
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